Archetypes from Underground

Notes on the Dostoevskian Self

Fiction & Literature, Literary Theory & Criticism, European, Russian
Cover of the book Archetypes from Underground by Lonny Harrison, Wilfrid Laurier University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Lonny Harrison ISBN: 9781771122061
Publisher: Wilfrid Laurier University Press Publication: May 17, 2016
Imprint: Wilfrid Laurier University Press Language: English
Author: Lonny Harrison
ISBN: 9781771122061
Publisher: Wilfrid Laurier University Press
Publication: May 17, 2016
Imprint: Wilfrid Laurier University Press
Language: English

Archetypes from Underground: Notes on the Dostoevskian Self uncovers archetypal imagery in Dostoevsky’s stories and novels and argues that archetypes bring a new dimension to our understanding and appreciation of his works. In this interdisciplinary study, Harrison analyzes selected texts in light of fresh research in Dostoevsky studies, cultural history, comparative mythology, and depth psychology. He argues that one of Dostoevsky's chief concerns is the crisis of modernity, and that he dramatizes the conflicts of the modern self by depicting the dynamic, transformative nature of the psyche. Harrison finds the language and imagery of archetypes in Dostoevsky’s characters, symbols, and themes, and shows how these resonate in remarkable ways with the archetypes of self, persona, and the shadow. He demonstrates that major themes in Dostoevsky coincide with Western esotericism, such as the complementarity of opposites, transformation, and the symbolism of death and resurrection. These arguments inform a close reading of several of Dostoevsky’s texts, including The Double, Notes from Underground, and The Brothers Karamazov. Archetypes inform these works and others, bringing vitality to Dostoevsky’s major characters and themes.

This research represents a departure from the religious and philosophical questions that have dominated Dostoevsky studies. This work is the first sustained analysis of Dostoevsky’s work in light of archetypes, framing a topic that calls for further investigation. Archetypes illumine the author’s ideas about Russian national identity and its faith traditions and help us redefine our understanding of Russian realism and the prominent place Dostoevsky occupies within it.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Archetypes from Underground: Notes on the Dostoevskian Self uncovers archetypal imagery in Dostoevsky’s stories and novels and argues that archetypes bring a new dimension to our understanding and appreciation of his works. In this interdisciplinary study, Harrison analyzes selected texts in light of fresh research in Dostoevsky studies, cultural history, comparative mythology, and depth psychology. He argues that one of Dostoevsky's chief concerns is the crisis of modernity, and that he dramatizes the conflicts of the modern self by depicting the dynamic, transformative nature of the psyche. Harrison finds the language and imagery of archetypes in Dostoevsky’s characters, symbols, and themes, and shows how these resonate in remarkable ways with the archetypes of self, persona, and the shadow. He demonstrates that major themes in Dostoevsky coincide with Western esotericism, such as the complementarity of opposites, transformation, and the symbolism of death and resurrection. These arguments inform a close reading of several of Dostoevsky’s texts, including The Double, Notes from Underground, and The Brothers Karamazov. Archetypes inform these works and others, bringing vitality to Dostoevsky’s major characters and themes.

This research represents a departure from the religious and philosophical questions that have dominated Dostoevsky studies. This work is the first sustained analysis of Dostoevsky’s work in light of archetypes, framing a topic that calls for further investigation. Archetypes illumine the author’s ideas about Russian national identity and its faith traditions and help us redefine our understanding of Russian realism and the prominent place Dostoevsky occupies within it.

More books from Wilfrid Laurier University Press

Cover of the book Germany’s Western Front: 1915 by Lonny Harrison
Cover of the book Cultural Grammars of Nation, Diaspora, and Indigeneity in Canada by Lonny Harrison
Cover of the book Vimy Ridge by Lonny Harrison
Cover of the book Long-Term Solutions for a Short-Term World by Lonny Harrison
Cover of the book Preventing Eating-Related and Weight-Related Disorders by Lonny Harrison
Cover of the book Mapping Canada's Music by Lonny Harrison
Cover of the book Fields in Motion by Lonny Harrison
Cover of the book Developments in Buddhist Thought by Lonny Harrison
Cover of the book Social Policy and Practice in Canada by Lonny Harrison
Cover of the book Book of Gomorrah by Lonny Harrison
Cover of the book Neither in Dark Speeches nor in Similitudes by Lonny Harrison
Cover of the book Bodhisattva Doctrine in Buddhism by Lonny Harrison
Cover of the book Creating Together by Lonny Harrison
Cover of the book A History of Kitchener, Ontario by Lonny Harrison
Cover of the book The Surprise of My Life by Lonny Harrison
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy