Aspects of class in select plays by Tennessee Williams and their film adaptations: 'A streetcar named desire', 'Cat on a hot tin roof', 'Sweet bird of youth'

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Aspects of class in select plays by Tennessee Williams and their film adaptations: 'A streetcar named desire', 'Cat on a hot tin roof', 'Sweet bird of youth' by Sabine Rohrhofer, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Sabine Rohrhofer ISBN: 9783638129121
Publisher: GRIN Publishing Publication: June 6, 2002
Imprint: GRIN Publishing Language: English
Author: Sabine Rohrhofer
ISBN: 9783638129121
Publisher: GRIN Publishing
Publication: June 6, 2002
Imprint: GRIN Publishing
Language: English

Diploma Thesis from the year 2002 in the subject American Studies - Literature, grade: B (2), University of Vienna (Institute for Anglistics/American Studies), 213 entries in the bibliography, language: English, abstract: Tennessee Williams is one of America's greatest playwrights whose talents of creating tension and atmosphere went beyond the métier of theatre and were convincing in the field of motion pictures, too. Elia Kazan, the successful theatre and film director, particularly admired the artist's gift of evoking emotions. In this thesis, however, I shall not attempt at evaluating Williams's total works. Rather, my object is a comparative analysis of select plays by Tennessee Williams and of their film adaptations: A Streetcar Named Desire (1947, 1951), Cat on a Hot Tin Roof (1955, 1958), and Sweet Bird of Youth (1959, 1962). Special attention has been given to examining the social differences in the plays and films. By focussing on the methods of characterisation employed I shall investigate more or less typical class representations in the two different media. I shall work out the social politics of the playwright, theatre and film directors, and - as far as possible - the actors' and actresses' contributions to the dramatic contents. The multitude of interpretations and variations usually gives proof to the value of artistic works. The methods applied in this thesis are literary research and film studies. As a matter of course, I analysed the plays on their written basis, which raises the general question to what extent the perceptions by the audience and the reader differ. 'The readers of a play must use their imagination to flesh out the characters, and to place them in an appropriate setting' (Sambrook, 6). Williams gives very precise and evocative stage directions, which help the reader to imagine the situations in many details. Meaning is often conveyed by poetic images. By employing figurative language he tries to 'paint a word picture or convey in words the quality of a sound' (Sambrook, 48). The critic also notes that in Streetcar, these stage directions contrast and 'serve to underline the uneducated speech' (Sambrook, 14) of most characters, except for the DuBois sisters. The audience of a play or film, on the other hand, cannot perceive these aspects; rather, the spectators are confronted with a particular setting and with concrete actors and actresses. ...

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Diploma Thesis from the year 2002 in the subject American Studies - Literature, grade: B (2), University of Vienna (Institute for Anglistics/American Studies), 213 entries in the bibliography, language: English, abstract: Tennessee Williams is one of America's greatest playwrights whose talents of creating tension and atmosphere went beyond the métier of theatre and were convincing in the field of motion pictures, too. Elia Kazan, the successful theatre and film director, particularly admired the artist's gift of evoking emotions. In this thesis, however, I shall not attempt at evaluating Williams's total works. Rather, my object is a comparative analysis of select plays by Tennessee Williams and of their film adaptations: A Streetcar Named Desire (1947, 1951), Cat on a Hot Tin Roof (1955, 1958), and Sweet Bird of Youth (1959, 1962). Special attention has been given to examining the social differences in the plays and films. By focussing on the methods of characterisation employed I shall investigate more or less typical class representations in the two different media. I shall work out the social politics of the playwright, theatre and film directors, and - as far as possible - the actors' and actresses' contributions to the dramatic contents. The multitude of interpretations and variations usually gives proof to the value of artistic works. The methods applied in this thesis are literary research and film studies. As a matter of course, I analysed the plays on their written basis, which raises the general question to what extent the perceptions by the audience and the reader differ. 'The readers of a play must use their imagination to flesh out the characters, and to place them in an appropriate setting' (Sambrook, 6). Williams gives very precise and evocative stage directions, which help the reader to imagine the situations in many details. Meaning is often conveyed by poetic images. By employing figurative language he tries to 'paint a word picture or convey in words the quality of a sound' (Sambrook, 48). The critic also notes that in Streetcar, these stage directions contrast and 'serve to underline the uneducated speech' (Sambrook, 14) of most characters, except for the DuBois sisters. The audience of a play or film, on the other hand, cannot perceive these aspects; rather, the spectators are confronted with a particular setting and with concrete actors and actresses. ...

More books from GRIN Publishing

Cover of the book 'The spectator and not the actor is the central focus of Brecht's stagecraft' by Sabine Rohrhofer
Cover of the book Music and Advertising in Television I by Sabine Rohrhofer
Cover of the book Der Beirat in der Kommanditgesellschaft by Sabine Rohrhofer
Cover of the book The Journey to Self-Awareness in Levinas' Philosophy and the Irish National Tale by Sabine Rohrhofer
Cover of the book Review of the movie 'Lantana' by Sabine Rohrhofer
Cover of the book The Preemptive Straw Man - A Critique of Sherman Alexie's 'Toughest Indian in the World'. by Sabine Rohrhofer
Cover of the book Zara: An analysis of market-orientated supply chain management in the retail fashion industry by Sabine Rohrhofer
Cover of the book Influence factors of strategy by Sabine Rohrhofer
Cover of the book Lean Enterprise: Just-in-Time by Sabine Rohrhofer
Cover of the book Analysis Case C-376/98 - Tobacco Advertising Directive by Sabine Rohrhofer
Cover of the book A state of transition. Shipboard diaries as narratives of transformation by Sabine Rohrhofer
Cover of the book Valid Fundamental Arguments by Sabine Rohrhofer
Cover of the book Third Party Logistics - Development of a selection model to enhance supply chain visibility by Sabine Rohrhofer
Cover of the book Pädagogik und Evolutionswissenschaften by Sabine Rohrhofer
Cover of the book A European Identity sets limits to EU Expansion by Sabine Rohrhofer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy