B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present

Nonfiction, Entertainment, Music
Cover of the book B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present by George Plasketes, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: George Plasketes ISBN: 9781317171126
Publisher: Taylor and Francis Publication: May 23, 2016
Imprint: Routledge Language: English
Author: George Plasketes
ISBN: 9781317171126
Publisher: Taylor and Francis
Publication: May 23, 2016
Imprint: Routledge
Language: English

There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. George Plasketes adapts the iconic "A-side/B-side" dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered "B-sides"”overlooked, underappreciated, and unsung cases, creators, patterns and productions that have unassumingly, but significantly, marked popular culture, music and media during the past 40 years. The underappreciated yet enduring contributions of a variety of creative individuals in music, television and film are a centerpiece of this volume: actress Doris Day's son, Terry Melcher, a 1960s music producer whose imprint is on the surf, country blues, garage pop and most importantly the folk rock genre; Hans Fenger's kid chorus cover project, a musical variation of "outsider art" that became representative of the tribute wave that began in the 1990s and continues today; versatile guitarist virtuoso Ry Cooder's extensive film soundtrack work; World Music "missionary efforts" of American artists beyond Paul Simon's Graceland, including Neil Diamond's precursor with Tap Root Manuscript in the 1970s and the exotic adventures of Henry Kaiser and David Lindley in Madagascar and Norway”to name just a few examples. These B-sides represent undercurrents, but they resonate as overtones in the mainstream of music and culture, many as historical hinges. Collectively, these B-sides are an A-side antidote of outskirt observations, individual snapshots of artists, artifacts and rituals, genres and generations, producers and musical productions in television, film and video. They constitute an important connect-the-dots cultural chronicle with a multi-layered context”social, legal, historic, economic, technological, generational, aesthetic”for interpreting the interrelations between creators and institutions, the music market place, the production of culture and important connections between the peripheral and the popular.

More books from Taylor and Francis

Cover of the book Higher Education And Corporate Realities by George Plasketes
Cover of the book The African-Asian Divide by George Plasketes
Cover of the book Older Adults With Developmental Disabilities and Leisure by George Plasketes
Cover of the book Immigration and Social Policy in Britain by George Plasketes
Cover of the book Yearbook of Cultural Property Law 2010 by George Plasketes
Cover of the book Free Will by George Plasketes
Cover of the book Advances in Shipping Data Analysis and Modeling by George Plasketes
Cover of the book Visions of Precarity in Japanese Popular Culture and Literature by George Plasketes
Cover of the book Progress in Behavioral Social Work by George Plasketes
Cover of the book Authoritarian Modernization in Russia by George Plasketes
Cover of the book VIP by George Plasketes
Cover of the book International Architecture Yearbook: No. 8 by George Plasketes
Cover of the book Routledge International Handbook of Rural Studies by George Plasketes
Cover of the book Anna Halprin by George Plasketes
Cover of the book Green Economics by George Plasketes
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy