Behind the Seen
How Walter Murch Edited Cold Mountain Using Apple's Final Cut Pro and What This Means for Cinema
Nonfiction, Art & Architecture, Photography, Equipment & Techniques, Equipment, Computers, Application Software, Multimedia, Entertainment, Performing Arts
| Author: | Charles Koppelman | ISBN: | 9780133786668 |
| Publisher: | Pearson Education | Publication: | October 21, 2004 |
| Imprint: | New Riders | Language: | English |
| Author: | Charles Koppelman |
| ISBN: | 9780133786668 |
| Publisher: | Pearson Education |
| Publication: | October 21, 2004 |
| Imprint: | New Riders |
| Language: | English |
The first volume to reveal the post-production process of a major motion picture (Cold Mountain) edited entirely in Final Cut Pro!
- Offers a rare inside glimpse at the creative process of one of cinema's giants: threetime Academy Award-winning editor Walter Murch.
- Includes anecdotes from the director, edit staff, and producers; photos, emails, and journal entries from Murch; and behind-the-scenes insights.
- Accounts from Apple's Final Cut Pro team about what they think about the future of it in feature films.
As the first software-only desktop nonlinear editing system, Final Cut Pro sat the film industry on its ear when it debuted back in 1999. Now it's shaking things up again as editor Walter Murch, director Anthony Minghella, and a long list of Hollywood heavy-hitters are proving that this under-$1,000 software can (and should) be used to edit a multi-million dollar motion picture! This book tells the story of that endeavor: the decision to use Final Cut Pro, the relationship between the technology and art (and craft) of movie-making, how Final Cut Pro was set up and configured for Cold Mountain, how the software's use affected the work flow, and its implications for the future of filmmaking. More than anything, however, this is Murch's own story of what seemed to many a crazy endeavor-- told through photos, journal entries, email musings, and anecdotes that give readers an inside view of what the film editor does and how this particular film progressed through post-production. The book includes, in his own words, Murch's vision, approach, and thoughts on storytelling as he shapes Cold Mountain under the intense pressures of completing a major studio film.
The first volume to reveal the post-production process of a major motion picture (Cold Mountain) edited entirely in Final Cut Pro!
- Offers a rare inside glimpse at the creative process of one of cinema's giants: threetime Academy Award-winning editor Walter Murch.
- Includes anecdotes from the director, edit staff, and producers; photos, emails, and journal entries from Murch; and behind-the-scenes insights.
- Accounts from Apple's Final Cut Pro team about what they think about the future of it in feature films.
As the first software-only desktop nonlinear editing system, Final Cut Pro sat the film industry on its ear when it debuted back in 1999. Now it's shaking things up again as editor Walter Murch, director Anthony Minghella, and a long list of Hollywood heavy-hitters are proving that this under-$1,000 software can (and should) be used to edit a multi-million dollar motion picture! This book tells the story of that endeavor: the decision to use Final Cut Pro, the relationship between the technology and art (and craft) of movie-making, how Final Cut Pro was set up and configured for Cold Mountain, how the software's use affected the work flow, and its implications for the future of filmmaking. More than anything, however, this is Murch's own story of what seemed to many a crazy endeavor-- told through photos, journal entries, email musings, and anecdotes that give readers an inside view of what the film editor does and how this particular film progressed through post-production. The book includes, in his own words, Murch's vision, approach, and thoughts on storytelling as he shapes Cold Mountain under the intense pressures of completing a major studio film.
