Chong Son - The development of true-view landscape painting

The development of true-view landscape painting

Nonfiction, Home & Garden, Crafts & Hobbies, Art Technique, Painting, Art & Architecture, General Art
Cover of the book Chong Son - The development of true-view landscape painting by Simone Kraft, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Simone Kraft ISBN: 9783638812627
Publisher: GRIN Publishing Publication: June 28, 2007
Imprint: GRIN Publishing Language: English
Author: Simone Kraft
ISBN: 9783638812627
Publisher: GRIN Publishing
Publication: June 28, 2007
Imprint: GRIN Publishing
Language: English

Essay from the year 2004 in the subject Art - Painting, grade: A, School of Oriental and African Studies, University of London (Department of Art and Archeology), course: History of Korean Art, 5 entries in the bibliography, language: English, abstract: In the Chos?n period (1392-1910), Korean landscape painting flourished. Traditionally strongly bound to a Chinese paradigm, the Korean masters of painting sought to give their works distinctive peculiarities. Especially from the middle of Chos?n period on, strong tendencies towards 'Koreanization' emerged comprising not only arts but all sectors of life. Initially, painting developed slightly different characteristics still within the scope of the paramount Chinese arts such as bolder outlines and coarser brushwork (Pratt, 1995: 43). The painter Ch?ng S?n (1676-1759) eventually heralded the turn to a typical Korean style of landscape painting, the so-called 'chin'gy?ng (sansu)', true-view landscape painting. Reaching its peak in the following eighteenth century, this genre depicts the beauty of real Korean countryside using a certain technique which bears distinct features, even though still being geared to Chinese example.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Essay from the year 2004 in the subject Art - Painting, grade: A, School of Oriental and African Studies, University of London (Department of Art and Archeology), course: History of Korean Art, 5 entries in the bibliography, language: English, abstract: In the Chos?n period (1392-1910), Korean landscape painting flourished. Traditionally strongly bound to a Chinese paradigm, the Korean masters of painting sought to give their works distinctive peculiarities. Especially from the middle of Chos?n period on, strong tendencies towards 'Koreanization' emerged comprising not only arts but all sectors of life. Initially, painting developed slightly different characteristics still within the scope of the paramount Chinese arts such as bolder outlines and coarser brushwork (Pratt, 1995: 43). The painter Ch?ng S?n (1676-1759) eventually heralded the turn to a typical Korean style of landscape painting, the so-called 'chin'gy?ng (sansu)', true-view landscape painting. Reaching its peak in the following eighteenth century, this genre depicts the beauty of real Korean countryside using a certain technique which bears distinct features, even though still being geared to Chinese example.

More books from GRIN Publishing

Cover of the book An international marketing strategy for Black Sheep Brewery in Australia by Simone Kraft
Cover of the book The Balanced Scorecard - advantages and disadvantages by Simone Kraft
Cover of the book Comparison of the Most Important German Commercial Banks by Simone Kraft
Cover of the book Consumer Research: Literatur Review, Statement Analysis and Focus Groups by Simone Kraft
Cover of the book The Role of Education In Fighting Inequality by Simone Kraft
Cover of the book To what extent does the quality of input affect the process and ultimate attainment in second language acquisition? by Simone Kraft
Cover of the book The law of international carriage by air by Simone Kraft
Cover of the book The Objectivist Tradition in American Poetry by Simone Kraft
Cover of the book The performance of private equity by Simone Kraft
Cover of the book Pidgins and Creoles and their Relevance to Linguistics with a special regard to Jamaican Creole by Simone Kraft
Cover of the book Example-based Machine Translation by Simone Kraft
Cover of the book Representations of War in American Culture by Simone Kraft
Cover of the book Is it beneficial for the African Union to introduce a Common Currency? by Simone Kraft
Cover of the book The Use of GPA in Initial College Screening by Simone Kraft
Cover of the book Julia Alvarez 'Something to Declare' - A Postcolonial Perspective: The Problem of Language in the Essays 'My English' and 'La Gringuita' by Simone Kraft
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy