Col. William N. Selig, the Man Who Invented Hollywood

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Col. William N. Selig, the Man Who Invented Hollywood by Andrew A. Erish, University of Texas Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrew A. Erish ISBN: 9780292742697
Publisher: University of Texas Press Publication: March 1, 2012
Imprint: University of Texas Press Language: English
Author: Andrew A. Erish
ISBN: 9780292742697
Publisher: University of Texas Press
Publication: March 1, 2012
Imprint: University of Texas Press
Language: English

All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig was also among the first to cultivate extensive international exhibition of American films, which created a worldwide audience and contributed to American domination of the medium.

In this book, Andrew Erish delves into the virtually untouched Selig archive at the Academy of Motion Picture Arts and Sciences Library to tell the fascinating story of this unjustly forgotten film pioneer. He traces Selig’s career from his early work as a traveling magician in the Midwest, to his founding of the first movie studio in Los Angeles in 1909, to his landmark series of innovations that still influence the film industry. As Erish recounts the many accomplishments of the man who first recognized that Southern California is the perfect place for moviemaking, he convincingly demonstrates that while others have been credited with inventing Hollywood, Colonel Selig is actually the one who most deserves that honor.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

All histories of Hollywood are wrong. Why? Two words: Colonel Selig. This early pioneer laid the foundation for the movie industry that we know today. Active from 1896 to 1938, William N. Selig was responsible for an amazing series of firsts, including the first two-reel narrative film and the first two-hour narrative feature made in America; the first American movie serial with cliffhanger endings; the first westerns filmed in the West with real cowboys and Indians; the creation of the jungle-adventure genre; the first horror film in America; the first successful American newsreel (made in partnership with William Randolph Hearst); and the first permanent film studio in Los Angeles. Selig was also among the first to cultivate extensive international exhibition of American films, which created a worldwide audience and contributed to American domination of the medium.

In this book, Andrew Erish delves into the virtually untouched Selig archive at the Academy of Motion Picture Arts and Sciences Library to tell the fascinating story of this unjustly forgotten film pioneer. He traces Selig’s career from his early work as a traveling magician in the Midwest, to his founding of the first movie studio in Los Angeles in 1909, to his landmark series of innovations that still influence the film industry. As Erish recounts the many accomplishments of the man who first recognized that Southern California is the perfect place for moviemaking, he convincingly demonstrates that while others have been credited with inventing Hollywood, Colonel Selig is actually the one who most deserves that honor.

More books from University of Texas Press

Cover of the book From Viracocha to the Virgin of Copacabana by Andrew A. Erish
Cover of the book The Cultural Milieu of Addison's Literary Criticism by Andrew A. Erish
Cover of the book Savage Cinema by Andrew A. Erish
Cover of the book My Eighty Years in Texas by Andrew A. Erish
Cover of the book Supermadre by Andrew A. Erish
Cover of the book The Japanese On Trial by Andrew A. Erish
Cover of the book Jean-Claude Grumberg by Andrew A. Erish
Cover of the book Cultural Economies Past and Present by Andrew A. Erish
Cover of the book Paleoindian Geoarchaeology of the Southern High Plains by Andrew A. Erish
Cover of the book Mexican American Fertility Patterns by Andrew A. Erish
Cover of the book A Companion to Greek Tragedy by Andrew A. Erish
Cover of the book The Hidden History of Capoeira by Andrew A. Erish
Cover of the book Social Identities in the Classic Maya Northern Lowlands by Andrew A. Erish
Cover of the book Competitive Archaeology in Jordan by Andrew A. Erish
Cover of the book Since When Is Fran Drescher Jewish? by Andrew A. Erish
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy