Constructing 'Slaughterhouse-Five'
The Interplay between Fiction, Reality, Structure and Time
Nonfiction, Entertainment, Drama, Anthologies
| Author: | Marc Regler | ISBN: | 9783638216517 |
| Publisher: | GRIN Publishing | Publication: | September 8, 2003 |
| Imprint: | GRIN Publishing | Language: | English |
| Author: | Marc Regler |
| ISBN: | 9783638216517 |
| Publisher: | GRIN Publishing |
| Publication: | September 8, 2003 |
| Imprint: | GRIN Publishing |
| Language: | English |
Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 2,3 (B), University of Stuttgart (American Studies), course: Postmodern Fiction, 13 entries in the bibliography, language: English, abstract: Constructing Slaughterhouse-Five is a close reading of Kurt Vonnegut's Slaughterhouse-Five. It puts a special focus on the aspects of time and temporal structure in relation to the novel form and its narrative structure in relation to the protagonist Billy Pilgrim's personal trauma, his war experience and his time travelling in relation to the alternative model of time of the Tralfamadorians. Thus, it concentrates on the postmodernist criticism of an uncritical believe in linear time, teleology and progression as also represented in the form of linear narratives.
Seminar paper from the year 2003 in the subject American Studies - Literature, grade: 2,3 (B), University of Stuttgart (American Studies), course: Postmodern Fiction, 13 entries in the bibliography, language: English, abstract: Constructing Slaughterhouse-Five is a close reading of Kurt Vonnegut's Slaughterhouse-Five. It puts a special focus on the aspects of time and temporal structure in relation to the novel form and its narrative structure in relation to the protagonist Billy Pilgrim's personal trauma, his war experience and his time travelling in relation to the alternative model of time of the Tralfamadorians. Thus, it concentrates on the postmodernist criticism of an uncritical believe in linear time, teleology and progression as also represented in the form of linear narratives.
