Creature Features

Nature Turned Nasty in the Movies

Nonfiction, Entertainment, Performing Arts, Reference, Film
Cover of the book Creature Features by William Schoell, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: William Schoell ISBN: 9781476610726
Publisher: McFarland & Company, Inc., Publishers Publication: September 30, 2016
Imprint: Language: English
Author: William Schoell
ISBN: 9781476610726
Publisher: McFarland & Company, Inc., Publishers
Publication: September 30, 2016
Imprint:
Language: English

This work offers a critical, colorful and informative examination of different types of monster movies, spanning the silent period to today. Chapter One focuses on dragons, dinosaurs, and other scaly giants from films like 1953’s The Beast from 20,000 Fathoms, an impressive stop-motion production that ushered in a new era of atomic-spawned monster films. Chapter Two examines “big bug” flicks, beginning with 1954’s giant ant–infested Them! Chapter Three focuses on ordinary animals grown to improbable proportions through scientific or sinister experimentation, such as the huge octopus in 1955’s It Came from Beneath the Sea. Chapters Four, Five, and Six look at films in which nature goes berserk, and otherwise innocuous animals flock, swarm, hop or run about on a menacingly massive scale, including 1963’s The Birds and 1972’s Frogs. Finally, Chapter Seven focuses on films featuring beasts that defy easy definition, such as 1958’s The Blob and Fiend Without a Face.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This work offers a critical, colorful and informative examination of different types of monster movies, spanning the silent period to today. Chapter One focuses on dragons, dinosaurs, and other scaly giants from films like 1953’s The Beast from 20,000 Fathoms, an impressive stop-motion production that ushered in a new era of atomic-spawned monster films. Chapter Two examines “big bug” flicks, beginning with 1954’s giant ant–infested Them! Chapter Three focuses on ordinary animals grown to improbable proportions through scientific or sinister experimentation, such as the huge octopus in 1955’s It Came from Beneath the Sea. Chapters Four, Five, and Six look at films in which nature goes berserk, and otherwise innocuous animals flock, swarm, hop or run about on a menacingly massive scale, including 1963’s The Birds and 1972’s Frogs. Finally, Chapter Seven focuses on films featuring beasts that defy easy definition, such as 1958’s The Blob and Fiend Without a Face.

More books from McFarland & Company, Inc., Publishers

Cover of the book Hmong and American by William Schoell
Cover of the book The Camden Expedition of 1864 and the Opportunity Lost by the Confederacy to Change the Civil War by William Schoell
Cover of the book Three Plays of Tirso de Molina by William Schoell
Cover of the book The Tuskegee Veterans Hospital and Its Black Physicians by William Schoell
Cover of the book Social Media and South Korean National Security by William Schoell
Cover of the book The Rhetorical Origins of Apartheid by William Schoell
Cover of the book The Age of Netflix by William Schoell
Cover of the book Axis Diplomats in American Custody by William Schoell
Cover of the book Ken Follett and the Triumph of Suspense by William Schoell
Cover of the book RKO Radio Pictures Horror, Science Fiction and Fantasy Films, 1929-1956 by William Schoell
Cover of the book I Am Legend as American Myth by William Schoell
Cover of the book They Left Their Hearts in San Francisco by William Schoell
Cover of the book Sex and the Scientist by William Schoell
Cover of the book Revisiting Mister Rogers' Neighborhood by William Schoell
Cover of the book Vikings and Goths by William Schoell
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy