Cultural Responses to Occupation in Japan

The Performing Body During and After the Cold War

Nonfiction, History, Modern, 20th Century, Military
Cover of the book Cultural Responses to Occupation in Japan by Dr Adam Broinowski, Bloomsbury Publishing
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Author: Dr Adam Broinowski ISBN: 9781780935973
Publisher: Bloomsbury Publishing Publication: January 14, 2016
Imprint: Bloomsbury Academic Language: English
Author: Dr Adam Broinowski
ISBN: 9781780935973
Publisher: Bloomsbury Publishing
Publication: January 14, 2016
Imprint: Bloomsbury Academic
Language: English

Cultural Responses to Occupation in Japan examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry, probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change.

Cultural Responses to Occupation in Japan explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Cultural Responses to Occupation in Japan examines how the performing arts, and the performing body specifically, have shaped and been shaped by the political and historical conditions experienced in Japan during the Cold War and post-Cold War periods. This study of original and secondary materials from the fields of theatre, dance, performance art, film and poetry, probes the interrelationship that exists between the body and the nation-state. Important artistic works, such as Ankoku Butoh (dance of darkness) and its subsequent re-interpretation by a leading political performance company Gekidan Kaitaisha (theatre of deconstruction), are analysed using ethnographic, historical and theoretical modes. This approach reveals the nuanced and prolonged effects of military, cultural and political occupation in Japan over a duration of dramatic change.

Cultural Responses to Occupation in Japan explores issues of discrimination, marginality, trauma, memory and the mediation of history in a ground-breaking work that will be of great significance to anyone interested in the symbiosis of culture and conflict.

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