Fandom, Authenticity, and Opera

Mad Acts and Letter Scenes in Fin-de-Siècle Russia

Nonfiction, History, European General, Modern
Cover of the book Fandom, Authenticity, and Opera by A. Fishzon, Palgrave Macmillan US
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: A. Fishzon ISBN: 9781137023452
Publisher: Palgrave Macmillan US Publication: September 11, 2013
Imprint: Palgrave Macmillan Language: English
Author: A. Fishzon
ISBN: 9781137023452
Publisher: Palgrave Macmillan US
Publication: September 11, 2013
Imprint: Palgrave Macmillan
Language: English

In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated extreme emotional states and passionate belief. A uniquely intense approach to public life and private expression - the 'melodramatic imagination' - is at the center of this study. Previously, scholars have only indirectly addressed the everyday appropriation of melodramatic aesthetics in Russia, choosing to concentrate on canonical texts and producers of mass culture. Collective fantasies and affects are daunting objects of study, difficult to render, and almost impossible to prove empirically. Music and art historians, with some notable exceptions, have been reluctant to discuss reception for similar reasons. By analyzing the artifacts and practices of a commercialized opera culture, author Anna Fishzon provides a solution to these challenges. Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-siècle European popular and high culture, selfhood, authenticity, and political theater.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Russia at the turn of the twentieth century, printed literature and performances - from celebrity narratives and opera fandom to revolutionary acts and political speeches - frequently articulated extreme emotional states and passionate belief. A uniquely intense approach to public life and private expression - the 'melodramatic imagination' - is at the center of this study. Previously, scholars have only indirectly addressed the everyday appropriation of melodramatic aesthetics in Russia, choosing to concentrate on canonical texts and producers of mass culture. Collective fantasies and affects are daunting objects of study, difficult to render, and almost impossible to prove empirically. Music and art historians, with some notable exceptions, have been reluctant to discuss reception for similar reasons. By analyzing the artifacts and practices of a commercialized opera culture, author Anna Fishzon provides a solution to these challenges. Her focus on celebrity and fandom as features of the melodramatic imagination helps illuminate Russian modernity and provides the groundwork for comparative studies of fin-de-siècle European popular and high culture, selfhood, authenticity, and political theater.

More books from Palgrave Macmillan US

Cover of the book Migration and the Search for Home by A. Fishzon
Cover of the book The Grenada Revolution in the Caribbean Present by A. Fishzon
Cover of the book Strategic Reinvention in Popular Culture by A. Fishzon
Cover of the book Education and Emancipation in the Neoliberal Era by A. Fishzon
Cover of the book Amnesia and Redress in Contemporary American Fiction by A. Fishzon
Cover of the book The Social Life of Connectivity in Africa by A. Fishzon
Cover of the book Migration in Lusophone Cinema by A. Fishzon
Cover of the book The Charismatic City and the Public Resurgence of Religion by A. Fishzon
Cover of the book The Disney Middle Ages by A. Fishzon
Cover of the book The Value Imperative by A. Fishzon
Cover of the book Leadership and Discovery by A. Fishzon
Cover of the book Gender, Globalization, and Health in a Latin American Context by A. Fishzon
Cover of the book Leadership in Colonial Africa by A. Fishzon
Cover of the book Non-Metaphysical Theology After Heidegger by A. Fishzon
Cover of the book Moral Claims in the Age of Spectacles by A. Fishzon
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy