Film and the American Presidency

Nonfiction, Entertainment, Performing Arts, Film, Social & Cultural Studies, Social Science
Cover of the book Film and the American Presidency by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781135049911
Publisher: Taylor and Francis Publication: February 20, 2015
Imprint: Routledge Language: English
Author:
ISBN: 9781135049911
Publisher: Taylor and Francis
Publication: February 20, 2015
Imprint: Routledge
Language: English

The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The contention of Film and the American Presidency is that over the twentieth century the cinema has been a silent partner in setting the parameters of what we might call the presidential imaginary. This volume surveys the partnership in its longevity, placing stress on especially iconic presidents such as Lincoln and FDR. The contributions to this collection probe the rich interactions between these high institutions of culture and politics—Hollywood and the presidency—and argue that not only did Hollywood acting become an idiom for presidential style, but that Hollywood early on understood its own identity through the presidency’s peculiar mix of national epic and unified protagonist. Additionally, they contend that studios often made their films to sway political outcomes; that the performance of presidential personae has been constrained by the kinds of bodies (for so long, white and male) that have occupied the office, such that presidential embodiment obscures the body politic; and that Hollywood and the presidency may finally be nothing more than two privileged figures of media-age power.

More books from Taylor and Francis

Cover of the book The Future of Internet Policy by
Cover of the book Commercial Homes in Tourism by
Cover of the book Giving by
Cover of the book The Baltic and the North Seas by
Cover of the book Psychology of Fear, Crime and the Media by
Cover of the book The Romanian Mass Media and Cultural Development by
Cover of the book Teams by
Cover of the book Advertising and Cultural Politics in Global Times by
Cover of the book Roots of Realism by
Cover of the book The Collected Poems of Anna Seward Volume 1 by
Cover of the book On Dialogue by
Cover of the book The Value of Creativity by
Cover of the book Researching Complementary and Alternative Medicine by
Cover of the book Russia and Europe by
Cover of the book Introduction to Vygotsky by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy