For the Records: How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South

An article from Southern Cultures 17:4, The Music Issue

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, History, Americas, United States
Cover of the book For the Records: How African American Consumers and Music Retailers Created Commercial Public Space in the 1960s and 1970s South by Joshua Clark Davis, The University of North Carolina Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Joshua Clark Davis ISBN: 9780807872550
Publisher: The University of North Carolina Press Publication: December 1, 2011
Imprint: The University of North Carolina Press Language: English
Author: Joshua Clark Davis
ISBN: 9780807872550
Publisher: The University of North Carolina Press
Publication: December 1, 2011
Imprint: The University of North Carolina Press
Language: English

Record selling certainly had its glamorous moments; retailers could regale younger customers with stories of nightlife and even rubbing elbows with famous musicians and celebrities."

African-American owned and operated record stores once provided vibrant venues for their communities, and close to 1000 of these shops operated in the South during their heyday.

This article appears in the 2011 Music issue of Southern Cultures.

Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Record selling certainly had its glamorous moments; retailers could regale younger customers with stories of nightlife and even rubbing elbows with famous musicians and celebrities."

African-American owned and operated record stores once provided vibrant venues for their communities, and close to 1000 of these shops operated in the South during their heyday.

This article appears in the 2011 Music issue of Southern Cultures.

Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.

More books from The University of North Carolina Press

Cover of the book The North Carolina Roots of African American Literature by Joshua Clark Davis
Cover of the book Econocide by Joshua Clark Davis
Cover of the book In Pursuit of the Almighty's Dollar by Joshua Clark Davis
Cover of the book Separatism and Subculture by Joshua Clark Davis
Cover of the book Runaway Slave Settlements in Cuba by Joshua Clark Davis
Cover of the book A History of the Oratorio by Joshua Clark Davis
Cover of the book Exceptional Spaces by Joshua Clark Davis
Cover of the book Ghazali and the Poetics of Imagination by Joshua Clark Davis
Cover of the book Counter-revolution of the Word by Joshua Clark Davis
Cover of the book Drowning in Laws by Joshua Clark Davis
Cover of the book The Thanks of the Fatherland by Joshua Clark Davis
Cover of the book Ethnomimesis by Joshua Clark Davis
Cover of the book A Cultural History of Cuba during the U.S. Occupation, 1898-1902 by Joshua Clark Davis
Cover of the book Jasmine and Stars by Joshua Clark Davis
Cover of the book Belabored Professions by Joshua Clark Davis
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy