From France With Love

Gender and Identity in French Romantic Comedy

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Entertainment, Performing Arts
Cover of the book From France With Love by Mary Harrod, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mary Harrod ISBN: 9780857739902
Publisher: Bloomsbury Publishing Publication: May 21, 2015
Imprint: I.B. Tauris Language: English
Author: Mary Harrod
ISBN: 9780857739902
Publisher: Bloomsbury Publishing
Publication: May 21, 2015
Imprint: I.B. Tauris
Language: English

Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amélie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com à l'Américaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Love stories have always been at the heart of French cinema, but romantic comedies have, until recently, been absent from it. In 2001, the global success of Amélie catalysed a major development in the Western world's second-largest film industry: the appropriation of the 'Hollywood' romantic comedy genre (or Rom-Com à l'Américaine). In From France with Love, Mary Harrod explores this contemporary phenomenon, examining both local hits and films with international status. Using socio-cultural data, box-office figures and analysis of critical reception, she reveals the ways in which these films mirror shifting attitudes towards gender roles within French society, as well as the increasingly important interrelation between French national cinema and transnational filmmaking paradigms.

More books from Bloomsbury Publishing

Cover of the book Monday Lunch in Fairyland and Other Stories by Mary Harrod
Cover of the book Urban Ecclesiology by Mary Harrod
Cover of the book The Vocation of Anglicanism by Mary Harrod
Cover of the book Mastering Primary Music by Mary Harrod
Cover of the book German Mountain & Ski Troops 1939–45 by Mary Harrod
Cover of the book The Rage by Mary Harrod
Cover of the book Globalization and Internationalization in Higher Education by Mary Harrod
Cover of the book The Irish Defence Forces since 1922 by Mary Harrod
Cover of the book Those Kids From Town Again by Mary Harrod
Cover of the book Histories of the Irish Future by Mary Harrod
Cover of the book America’s Secret MiG Squadron by Mary Harrod
Cover of the book The European Waterways by Mary Harrod
Cover of the book The Czech Legion 1914–20 by Mary Harrod
Cover of the book European State Aid Law and Policy by Mary Harrod
Cover of the book Romeo and Juliet: A Critical Reader by Mary Harrod
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy