From Memory's Shrine: The Reminscences of Carmen Sylva

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book From Memory's Shrine: The Reminscences of Carmen Sylva by Carmen Sylva, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Carmen Sylva ISBN: 9781465608666
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Carmen Sylva
ISBN: 9781465608666
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

It has been said by a well-known German novelist of our day in one of his most recent works that as we approach our fiftieth year our hearts nearly always resemble a grave-yard, thronged with memories, a far greater share of our affection belonging by that time to those who are already at rest beneath the earth than may be claimed by those still left here to wander with us on its surface. This remark of Rosegger’s is above all true of such of us as have been accustomed from our earliest youth to stand mourning beside new-made graves, and see our nearest and dearest prematurely carried off in Death’s relentless grasp. It is in this cemetery of mine, sacred to the memory of all whom I have loved and lost, that I would linger this day, holding commune as is my wont with my beloved dead; but for once I would not that my pilgrimage were altogether a solitary one. As in thought I stand before each grave in turn, gazing with the spirit’s eyes on the dear form so clearly recognisable under the flowers I have strewn above it, I would fain retrace for others than myself every line of the features I know so well, that all you to whom I speak may learn to know and love them also. Even the best are all too soon forgotten in this busy, restless world, but it may be that my words, coming from the depths of my heart, will strike a responsive chord in the hearts of those who read them, and kindling in their breasts a feeling like my own, will keep alive for a little space these figures I call back from the shadowy Past. My aim will be achieved if I can but convey to other souls something of the impression my own received from the noble and beautiful lives with whom I have come in contact, and which my pen will now strive with the utmost fidelity to portray. I am about, then, to throw open the sanctuary I have so long jealously guarded from the world—the private chapel within whose niches my Penates are enshrined. Those to whom I pay a constant tribute of love and gratitude were either the idols of my early youth or the friends of riper years. I shall try to show them as they appeared to me on earth, in every varying aspect, according to season and circumstance, and to the changes of my own mood and habits of thought during the different stages of my mental development. To my youthful enthusiasm many of them became types of perfection, in whom I could discern no human weakness—to have known them was my pride and happiness. All that was best in myself I attributed to their influence, and their presence has never ceased to dwell with me since they have been removed to higher spheres. They, on whose lips I hung with such rapt attention, drinking in every word that fell from them, very possibly paid but small heed to the silent, earnest-eyed child, nor guessed how fondly those lessons of wisdom and holiness were being treasured up in that little heart. For to none of us is it ever given to know the precise hour in which our own soul has spoken most clearly and forcibly to another soul, nor to fathom the full import of the message with which we are entrusted towards our brethren. We cast our bread upon the waters of life, not knowing its destination, and the seed we scatter with a lavish hand is borne in all directions by the winds to take root it may be in the soil we should have deemed least fit for culture. Children often observe more keenly and reflect more thoughtfully than their elders would give them credit for. We need but look back each of us to our own childhood, in order rightly to understand how deep and lasting are the impressions then received, and how they may colour the whole after-current of our lives. Now, as I recall those days, I feel myself, as it were, suddenly transported into the midst of an enchanted garden, among whose rare and luxuriant blossoms I would fain gather together the fairest specimens for a garland. But they spring up around me in such wild profusion, and their beauty is so radiant, their colours so rich, their fragrance so intense, that I am embarrassed in my choice, and only stretch out my hand timidly and hesitatingly towards them, fearing lest in plucking I should injure the least of these fairest works of Creation. Well, indeed, may I feel diffident as to my own skill in selecting and grouping them aright.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

It has been said by a well-known German novelist of our day in one of his most recent works that as we approach our fiftieth year our hearts nearly always resemble a grave-yard, thronged with memories, a far greater share of our affection belonging by that time to those who are already at rest beneath the earth than may be claimed by those still left here to wander with us on its surface. This remark of Rosegger’s is above all true of such of us as have been accustomed from our earliest youth to stand mourning beside new-made graves, and see our nearest and dearest prematurely carried off in Death’s relentless grasp. It is in this cemetery of mine, sacred to the memory of all whom I have loved and lost, that I would linger this day, holding commune as is my wont with my beloved dead; but for once I would not that my pilgrimage were altogether a solitary one. As in thought I stand before each grave in turn, gazing with the spirit’s eyes on the dear form so clearly recognisable under the flowers I have strewn above it, I would fain retrace for others than myself every line of the features I know so well, that all you to whom I speak may learn to know and love them also. Even the best are all too soon forgotten in this busy, restless world, but it may be that my words, coming from the depths of my heart, will strike a responsive chord in the hearts of those who read them, and kindling in their breasts a feeling like my own, will keep alive for a little space these figures I call back from the shadowy Past. My aim will be achieved if I can but convey to other souls something of the impression my own received from the noble and beautiful lives with whom I have come in contact, and which my pen will now strive with the utmost fidelity to portray. I am about, then, to throw open the sanctuary I have so long jealously guarded from the world—the private chapel within whose niches my Penates are enshrined. Those to whom I pay a constant tribute of love and gratitude were either the idols of my early youth or the friends of riper years. I shall try to show them as they appeared to me on earth, in every varying aspect, according to season and circumstance, and to the changes of my own mood and habits of thought during the different stages of my mental development. To my youthful enthusiasm many of them became types of perfection, in whom I could discern no human weakness—to have known them was my pride and happiness. All that was best in myself I attributed to their influence, and their presence has never ceased to dwell with me since they have been removed to higher spheres. They, on whose lips I hung with such rapt attention, drinking in every word that fell from them, very possibly paid but small heed to the silent, earnest-eyed child, nor guessed how fondly those lessons of wisdom and holiness were being treasured up in that little heart. For to none of us is it ever given to know the precise hour in which our own soul has spoken most clearly and forcibly to another soul, nor to fathom the full import of the message with which we are entrusted towards our brethren. We cast our bread upon the waters of life, not knowing its destination, and the seed we scatter with a lavish hand is borne in all directions by the winds to take root it may be in the soil we should have deemed least fit for culture. Children often observe more keenly and reflect more thoughtfully than their elders would give them credit for. We need but look back each of us to our own childhood, in order rightly to understand how deep and lasting are the impressions then received, and how they may colour the whole after-current of our lives. Now, as I recall those days, I feel myself, as it were, suddenly transported into the midst of an enchanted garden, among whose rare and luxuriant blossoms I would fain gather together the fairest specimens for a garland. But they spring up around me in such wild profusion, and their beauty is so radiant, their colours so rich, their fragrance so intense, that I am embarrassed in my choice, and only stretch out my hand timidly and hesitatingly towards them, fearing lest in plucking I should injure the least of these fairest works of Creation. Well, indeed, may I feel diffident as to my own skill in selecting and grouping them aright.

More books from Library of Alexandria

Cover of the book The Destiny of The Soul: a Critical History of The Doctrine of a Future Life by Carmen Sylva
Cover of the book History of the Scottish Expedition to Norway in 1612 by Carmen Sylva
Cover of the book The Laird's Luck and Other Fireside Tales by Carmen Sylva
Cover of the book Frederick the Great and the Rise of Prussia by Carmen Sylva
Cover of the book Three Heroines of New England Romance: Their True Stories Herein Set Forth by Mrs Harriet Spoffard, Miss Louise Imogen Guiney, and Miss Alice Brown by Carmen Sylva
Cover of the book That Which Is Seen and That Which Is Not Seen by Carmen Sylva
Cover of the book A ultima ceia do Doutor Fausto by Carmen Sylva
Cover of the book A Woman's Burden by Carmen Sylva
Cover of the book Answer to Dr. Priestley's Letters to a Philosophical Unbeliever by Carmen Sylva
Cover of the book Psychology and Crime by Carmen Sylva
Cover of the book Myths of Greece And Rome by Carmen Sylva
Cover of the book The Beginning of The Sea Story of Australia by Carmen Sylva
Cover of the book The Selected Works of James Oliver Curwood by Carmen Sylva
Cover of the book English as She is Wrote by Carmen Sylva
Cover of the book The White Wolf and Other Fireside Tales by Carmen Sylva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy