Haunting Modernity and the Gothic Presence in British Modernist Literature

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Haunting Modernity and the Gothic Presence in British Modernist Literature by Daniel Darvay, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Daniel Darvay ISBN: 9783319326610
Publisher: Springer International Publishing Publication: September 2, 2016
Imprint: Palgrave Macmillan Language: English
Author: Daniel Darvay
ISBN: 9783319326610
Publisher: Springer International Publishing
Publication: September 2, 2016
Imprint: Palgrave Macmillan
Language: English

This book explores the complex relationship between British modernism and the Gothic tradition over several centuries of modern literary and cultural history. Illuminating the blind spots of Gothic criticism and expanding the range of cultural material that falls under the banner of this tradition, Daniel Darvay focuses on how late nineteenth- and early twentieth-century British writers transform the artifice of Gothic ruins into building blocks for a distinctively modernist architecture of questions, concerns, images, and arguments. To make this argument, Darvay takes readers back to early exemplars of the genre thematically rooted in the English Reformation, tracing it through significant Victorian transformations to finally the modernist period. Through writers such as Oscar Wilde, Joseph Conrad, Virginia Woolf, E. M. Forster, and D. H. Lawrence, this book ultimately expands the boundaries of the Gothic genre and provides a fresh, new approach to better understanding the modernist movement.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores the complex relationship between British modernism and the Gothic tradition over several centuries of modern literary and cultural history. Illuminating the blind spots of Gothic criticism and expanding the range of cultural material that falls under the banner of this tradition, Daniel Darvay focuses on how late nineteenth- and early twentieth-century British writers transform the artifice of Gothic ruins into building blocks for a distinctively modernist architecture of questions, concerns, images, and arguments. To make this argument, Darvay takes readers back to early exemplars of the genre thematically rooted in the English Reformation, tracing it through significant Victorian transformations to finally the modernist period. Through writers such as Oscar Wilde, Joseph Conrad, Virginia Woolf, E. M. Forster, and D. H. Lawrence, this book ultimately expands the boundaries of the Gothic genre and provides a fresh, new approach to better understanding the modernist movement.

More books from Springer International Publishing

Cover of the book Basic Flight Mechanics by Daniel Darvay
Cover of the book Ethnographies of Conferences and Trade Fairs by Daniel Darvay
Cover of the book The Rise and Fall of Emerging Powers by Daniel Darvay
Cover of the book Stabilization, Safety, and Security of Distributed Systems by Daniel Darvay
Cover of the book Abdominal Solid Organ Transplantation by Daniel Darvay
Cover of the book Synchronization of Integral and Fractional Order Chaotic Systems by Daniel Darvay
Cover of the book Neoclassical Realism and the Underdevelopment of China’s Nuclear Doctrine by Daniel Darvay
Cover of the book Integration of AI and OR Techniques in Constraint Programming by Daniel Darvay
Cover of the book Computer Aided Verification by Daniel Darvay
Cover of the book Cloud Computing by Daniel Darvay
Cover of the book Critical Thinking in Clinical Assessment and Diagnosis by Daniel Darvay
Cover of the book The Politics of Genetically Modified Organisms in the United States and Europe by Daniel Darvay
Cover of the book Case Studies of Postoperative Complications after Digestive Surgery by Daniel Darvay
Cover of the book Biological Remediation of Explosive Residues by Daniel Darvay
Cover of the book Hypotheses and Perspectives in the History and Philosophy of Science by Daniel Darvay
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy