Home with Hip Hop Feminism

Performances in Communication and Culture

Nonfiction, Reference & Language, Language Arts, Communication, Social & Cultural Studies, Social Science, Anthropology, Art & Architecture, General Art
Cover of the book Home with Hip Hop Feminism by Aisha S. Durham, Peter Lang
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Author: Aisha S. Durham ISBN: 9781454195900
Publisher: Peter Lang Publication: June 30, 2010
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Aisha S. Durham
ISBN: 9781454195900
Publisher: Peter Lang
Publication: June 30, 2010
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

This book has won the 2015 Top Book Award from the NCA African American Communication and Culture Division (AACCD) of NCA

Home with Hip Hop Feminism brings together popular culture and the everyday experiences of black women from the hip hop generation to highlight the epiphanic moments when the imagined and real body converge or collide.
To date, there are no books devoted exclusively to black women that integrate performance auto/ethnography and media studies from a hip hop feminist perspective. This book serves as a three-sided intervention against a textually dominated feminist media studies, a white-centered feminist third wave theory, and a masculinist hip hop cultural project. Aisha S. Durham not only reclaims her voice in these three spaces, she also rewrites her hip hop history by returning to the intellectual, cultural, and physical places she calls home.
The book will appeal to undergraduate and graduate students interested in media and cultural studies, race and ethnic studies, and gender and sexuality studies.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book has won the 2015 Top Book Award from the NCA African American Communication and Culture Division (AACCD) of NCA

Home with Hip Hop Feminism brings together popular culture and the everyday experiences of black women from the hip hop generation to highlight the epiphanic moments when the imagined and real body converge or collide.
To date, there are no books devoted exclusively to black women that integrate performance auto/ethnography and media studies from a hip hop feminist perspective. This book serves as a three-sided intervention against a textually dominated feminist media studies, a white-centered feminist third wave theory, and a masculinist hip hop cultural project. Aisha S. Durham not only reclaims her voice in these three spaces, she also rewrites her hip hop history by returning to the intellectual, cultural, and physical places she calls home.
The book will appeal to undergraduate and graduate students interested in media and cultural studies, race and ethnic studies, and gender and sexuality studies.

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