Horror Noire

Blacks in American Horror Films from the 1890s to Present

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Social & Cultural Studies, Social Science
Cover of the book Horror Noire by Robin R Means Coleman, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robin R Means Coleman ISBN: 9781136942938
Publisher: Taylor and Francis Publication: March 1, 2013
Imprint: Routledge Language: English
Author: Robin R Means Coleman
ISBN: 9781136942938
Publisher: Taylor and Francis
Publication: March 1, 2013
Imprint: Routledge
Language: English

From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself.

Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race.

Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

From King Kong to Candyman, the boundary-pushing genre of the horror film has always been a site for provocative explorations of race in American popular culture. In Horror Noire: Blacks in American Horror Films from 1890's to Present, Robin R. Means Coleman traces the history of notable characterizations of blackness in horror cinema, and examines key levels of black participation on screen and behind the camera. She argues that horror offers a representational space for black people to challenge the more negative, or racist, images seen in other media outlets, and to portray greater diversity within the concept of blackness itself.

Horror Noire presents a unique social history of blacks in America through changing images in horror films. Throughout the text, the reader is encouraged to unpack the genre’s racialized imagery, as well as the narratives that make up popular culture’s commentary on race.

Offering a comprehensive chronological survey of the genre, this book addresses a full range of black horror films, including mainstream Hollywood fare, as well as art-house films, Blaxploitation films, direct-to-DVD films, and the emerging U.S./hip-hop culture-inspired Nigerian "Nollywood" Black horror films. Horror Noire is, thus, essential reading for anyone seeking to understand how fears and anxieties about race and race relations are made manifest, and often challenged, on the silver screen.

More books from Taylor and Francis

Cover of the book Regulatory Reforms in Italy: A Case Study in Europeanisation by Robin R Means Coleman
Cover of the book The Casebook of a Residential Care Psychiatrist by Robin R Means Coleman
Cover of the book Managing Aviation Projects from Concept to Completion by Robin R Means Coleman
Cover of the book Modernist Star Maps by Robin R Means Coleman
Cover of the book Greek Magic by Robin R Means Coleman
Cover of the book The Politics of Governance by Robin R Means Coleman
Cover of the book Teaching in Post-Compulsory Education by Robin R Means Coleman
Cover of the book Education and other modes of thinking in Latin America by Robin R Means Coleman
Cover of the book Conscience and Critic by Robin R Means Coleman
Cover of the book Everyday Language and Everyday Life by Robin R Means Coleman
Cover of the book Dynamics of the Pictured Page by Robin R Means Coleman
Cover of the book Sport in Australian National Identity by Robin R Means Coleman
Cover of the book Women in Eighteenth Century Europe by Robin R Means Coleman
Cover of the book Constructing Narratives of Continuity and Change by Robin R Means Coleman
Cover of the book Nation and Translation in the Middle East by Robin R Means Coleman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy