In Queer Street

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book In Queer Street by Fergus Hume, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Fergus Hume ISBN: 9781465617965
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Fergus Hume
ISBN: 9781465617965
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

Poor Mrs. Tesk having no sense of humour, did not understand that this last remark was ironical, and smiled gravely in full approval. Spruce screwed in his eye-glass, and glanced with a shrug at his surroundings. These were scarcely calculated to satisfy a sybarite, being extremely ugly, inartistic, well-worn and dingy. The room, of no great size, was over-crowded with clumsy furniture made in the early years of the nineteenth century, when solidity was much more valued than beauty. What with six ordinary chairs, two armchairs, a horse-hair sofa to match, a sideboard, a bookcase, and a fender-stool all of mahogany, to say nothing of an Indian screen and a rosewood piano, there was scarcely room to move. And everywhere appeared patterns;--on the carpet, on the wall-paper, on the curtains and on the table-cloth: the eye ached to find some plain spot, which was not striped, or spotted, or scrolled, or dotted. The sole redeeming feature of the dreadful apartment was that many years and constant use had mellowed everything into a sober congruity, so that the whole looked comfortable and homely. As the Home of the Muses, it was an entire failure; as the sanctum of the sedate middle-aged woman in the worn black silk gown, it was quite successful. And as there were many out-of-date educational volumes in the bookcase, and as the walls were decorated with samplers, water-coloured drawings, geographical maps, and even with framed specimens of hand-writing, it could be easily guessed that the apartment belonged to a retired school-mistress. There was something quite pathetic in Mrs. Tesk's flotsam and jetsam, which she had saved from the dire wreck of her superior fortunes. And the landlady was as suited to the room as her visitor was unsuited, for there could not be a greater contrast than the two presented to one another. Mrs. Tesk belonged to a bygone age, while Spruce had to do with the very immediate present. In her shabby-genteel gown, which clothed a thin bony figure, and with a severe parchment-coloured face, the former teacher of the young looked very respectable indeed. Her mittens, her be-ribboned cap, her long gold chain, her large brooch containing locks of hair, and her cloth boots suggested the stories of Emma Jane Worboise and Mrs. Henry Wood. She was prim, pedantic and eminently genteel, the survival of an epoch when women wore full skirts and believed that their duty was to keep house, rather than to smash windows. Spruce stared at her through his eye-glass as he would have done at a prehistoric animal. The would-be boarder was the last expression of man, as representing the lily of the fields which toils not. He resembled a cherub and was dressed like a Nut, that last variety of the masher, the swell, the dandy and the buck. With his clean-shaven pink and white face, his mild blue eyes, his smooth fair hair, little hands, little feet, and general well-groomed aspect, he looked like a good boy thoroughly acquainted with the Church Catechism. But his extravagant attire suggested Piccadilly, music-halls, the Park and afternoon teas. He wore a pale-green suit, the coat of which was made to show his waist, and turned-up trousers, which revealed purple socks and brogues of russia leather. His waistcoat was cut low, revealing a lavender-hued shirt and a purple scarf painted with a portrait of a famous dancer; and he held a green Trilby hat in his gloved hands, together with a gold-headed cane and an unlighted cigarette, which he did not dare to smoke in the severe presence of Mrs. Tesk. On the whole, Mr. Cuthbert Spruce was a thing of beauty, and wore as many colours as Joseph did when he put on his famous coat. He was the kind of male doll that virile men long to kick but dare not lest they should smash the thing.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Poor Mrs. Tesk having no sense of humour, did not understand that this last remark was ironical, and smiled gravely in full approval. Spruce screwed in his eye-glass, and glanced with a shrug at his surroundings. These were scarcely calculated to satisfy a sybarite, being extremely ugly, inartistic, well-worn and dingy. The room, of no great size, was over-crowded with clumsy furniture made in the early years of the nineteenth century, when solidity was much more valued than beauty. What with six ordinary chairs, two armchairs, a horse-hair sofa to match, a sideboard, a bookcase, and a fender-stool all of mahogany, to say nothing of an Indian screen and a rosewood piano, there was scarcely room to move. And everywhere appeared patterns;--on the carpet, on the wall-paper, on the curtains and on the table-cloth: the eye ached to find some plain spot, which was not striped, or spotted, or scrolled, or dotted. The sole redeeming feature of the dreadful apartment was that many years and constant use had mellowed everything into a sober congruity, so that the whole looked comfortable and homely. As the Home of the Muses, it was an entire failure; as the sanctum of the sedate middle-aged woman in the worn black silk gown, it was quite successful. And as there were many out-of-date educational volumes in the bookcase, and as the walls were decorated with samplers, water-coloured drawings, geographical maps, and even with framed specimens of hand-writing, it could be easily guessed that the apartment belonged to a retired school-mistress. There was something quite pathetic in Mrs. Tesk's flotsam and jetsam, which she had saved from the dire wreck of her superior fortunes. And the landlady was as suited to the room as her visitor was unsuited, for there could not be a greater contrast than the two presented to one another. Mrs. Tesk belonged to a bygone age, while Spruce had to do with the very immediate present. In her shabby-genteel gown, which clothed a thin bony figure, and with a severe parchment-coloured face, the former teacher of the young looked very respectable indeed. Her mittens, her be-ribboned cap, her long gold chain, her large brooch containing locks of hair, and her cloth boots suggested the stories of Emma Jane Worboise and Mrs. Henry Wood. She was prim, pedantic and eminently genteel, the survival of an epoch when women wore full skirts and believed that their duty was to keep house, rather than to smash windows. Spruce stared at her through his eye-glass as he would have done at a prehistoric animal. The would-be boarder was the last expression of man, as representing the lily of the fields which toils not. He resembled a cherub and was dressed like a Nut, that last variety of the masher, the swell, the dandy and the buck. With his clean-shaven pink and white face, his mild blue eyes, his smooth fair hair, little hands, little feet, and general well-groomed aspect, he looked like a good boy thoroughly acquainted with the Church Catechism. But his extravagant attire suggested Piccadilly, music-halls, the Park and afternoon teas. He wore a pale-green suit, the coat of which was made to show his waist, and turned-up trousers, which revealed purple socks and brogues of russia leather. His waistcoat was cut low, revealing a lavender-hued shirt and a purple scarf painted with a portrait of a famous dancer; and he held a green Trilby hat in his gloved hands, together with a gold-headed cane and an unlighted cigarette, which he did not dare to smoke in the severe presence of Mrs. Tesk. On the whole, Mr. Cuthbert Spruce was a thing of beauty, and wore as many colours as Joseph did when he put on his famous coat. He was the kind of male doll that virile men long to kick but dare not lest they should smash the thing.

More books from Library of Alexandria

Cover of the book Bell's Cathedrals: The Cathedral Church of Salisbury. A Description of its Fabric and a Brief History of the See of Sarum by Fergus Hume
Cover of the book Agriculture for Beginners by Fergus Hume
Cover of the book In White Raiment by Fergus Hume
Cover of the book Aboriginal American Authors by Fergus Hume
Cover of the book The Chain of Life in Geological Time: A Sketch of the Origin and Succession of Animals and Plants by Fergus Hume
Cover of the book K. K. K. Sketches, Humorous and Didactic Treating The More Important Events of The Ku-Klux-Klan Movement in The South With a Discussion of The Causes Which Gave Rise to It and The Social and Political Issues Emanating From It by Fergus Hume
Cover of the book Aventures de Monsieur Pickwick by Fergus Hume
Cover of the book The Man in the Twilight by Fergus Hume
Cover of the book The Romany Rye: A Sequel to 'Lavengro' by Fergus Hume
Cover of the book La Princesse de Clèves Par Mme de La Fayette Edited With Introduction and Notes by Fergus Hume
Cover of the book The Carter Girls' Week-End Camp by Fergus Hume
Cover of the book The Devil: a Tragedy of the Heart and Conscience by Fergus Hume
Cover of the book The Tragedy of Fotheringay: Founded on the Journal of Dominique Bourgoing, Physician to Mary Queen of Scots, and on Unpublished MS. Documents by Fergus Hume
Cover of the book The Homesteader: A Novel by Fergus Hume
Cover of the book La baraonda by Fergus Hume
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy