Lerner and Loewe's My Fair Lady

Fiction & Literature, Drama, American, Nonfiction, Entertainment, Theatre
Cover of the book Lerner and Loewe's My Fair Lady by Keith Garebian, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Keith Garebian ISBN: 9781317337096
Publisher: Taylor and Francis Publication: September 13, 2016
Imprint: Routledge Language: English
Author: Keith Garebian
ISBN: 9781317337096
Publisher: Taylor and Francis
Publication: September 13, 2016
Imprint: Routledge
Language: English

"An Englishman's way of speaking absolutely classifies him,
The moment he talks he makes some other Englishman despise him." - Henry

George Bernard Shawfamously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending.

Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life.

Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"An Englishman's way of speaking absolutely classifies him,
The moment he talks he makes some other Englishman despise him." - Henry

George Bernard Shawfamously refused to permit any play of his "to be degraded into an operetta or set to any music except its own." Allowing his beloved Pygmalion to be supplanted by a comic opera was therefore unthinkable; yet Lerner and Loewe transformed it into My Fair Lady (1956), a musical that was to delight audiences and critics alike. By famously reversing Shaw’s original ending, the show even dared to establish a cunningly romantic ending.

Keith Garebian delves into the libretto for a fresh take, and explores biographies of the show’s principal artists to discover how their roles intersected with real life.

Rex Harrison was an alpha male onstage and off, Julie Andrews struggled with her ‘chaste diva’ image, and the direction of the sexually ambiguous Moss Hartcontributed to the musical’s sexual coding.

More books from Taylor and Francis

Cover of the book The Irish Experience Since 1800: A Concise History by Keith Garebian
Cover of the book Working with Specialized Language by Keith Garebian
Cover of the book Informal and Incidental Learning in the Workplace (Routledge Revivals) by Keith Garebian
Cover of the book The Byelorussian Tristan by Keith Garebian
Cover of the book Culture, Urbanism and Planning by Keith Garebian
Cover of the book Hamlet on the Couch by Keith Garebian
Cover of the book Participatory Visual and Digital Methods by Keith Garebian
Cover of the book Mindfulness for Therapists by Keith Garebian
Cover of the book Xinjiang and China's Rise in Central Asia - A History by Keith Garebian
Cover of the book Populism by Keith Garebian
Cover of the book Regional Development in the Knowledge Economy by Keith Garebian
Cover of the book Sex Crime and the Media by Keith Garebian
Cover of the book Human Relations in Education by Keith Garebian
Cover of the book Men Who Made Labour by Keith Garebian
Cover of the book Learning to Learn together by Keith Garebian
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy