Marcin Mielczewski and Music under the Patronage of the Polish Vasas

Translated by John Comber

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Marcin Mielczewski and Music under the Patronage of the Polish Vasas by Barbara Przybyszewska-Jarminska, Peter Lang
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Author: Barbara Przybyszewska-Jarminska ISBN: 9783653998900
Publisher: Peter Lang Publication: December 9, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften Language: English
Author: Barbara Przybyszewska-Jarminska
ISBN: 9783653998900
Publisher: Peter Lang
Publication: December 9, 2014
Imprint: Peter Lang GmbH, Internationaler Verlag der Wissenschaften
Language: English

The first monograph of the life and œuvre of Marcin Mielczewski (d. 1651) presents the best known Polish composer of seventeenth-century Europe. During the 1990s, while exploring a newly accessible collection of music manuscripts from Silesia (the Sammlung Bohn) held in the Berlin Staatsbibliothek, the author found 37 compositions signed M.M., which she ascribed to Mielczewski. This discovery, representing more than half the composer’s known legacy, fuelled a considerable rise in interest in Mielczewski’s output among musicologists and musicians. In this book, the current state of knowledge about Marcin Mielczewski’s life and work is presented within the context of the musical patronage of King Ladislaus IV Vasa of Poland and his brother, Bishop Charles Ferdinand.

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The first monograph of the life and œuvre of Marcin Mielczewski (d. 1651) presents the best known Polish composer of seventeenth-century Europe. During the 1990s, while exploring a newly accessible collection of music manuscripts from Silesia (the Sammlung Bohn) held in the Berlin Staatsbibliothek, the author found 37 compositions signed M.M., which she ascribed to Mielczewski. This discovery, representing more than half the composer’s known legacy, fuelled a considerable rise in interest in Mielczewski’s output among musicologists and musicians. In this book, the current state of knowledge about Marcin Mielczewski’s life and work is presented within the context of the musical patronage of King Ladislaus IV Vasa of Poland and his brother, Bishop Charles Ferdinand.

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