Marianne Moore and the Cultures of Modernity

Fiction & Literature, Literary Theory & Criticism
Cover of the book Marianne Moore and the Cultures of Modernity by Victoria Bazin, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Victoria Bazin ISBN: 9781317100621
Publisher: Taylor and Francis Publication: May 6, 2016
Imprint: Routledge Language: English
Author: Victoria Bazin
ISBN: 9781317100621
Publisher: Taylor and Francis
Publication: May 6, 2016
Imprint: Routledge
Language: English

Victoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction." She argues that Moore's textual collages and syllabic sculptures are based on the cultural clutter or debris of modernity, on textual extracts and reproductions, on the phantasmagoria of city life revealing something modernism worked hard to conceal: its relation to modernity, more specifically its relation to the new emerging and expanding mass consumer culture. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity. Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories." As such, this account of Marianne Moore not only contributes to a greater understanding of the poet and her work, but it also offers up a more politicized and historically nuanced understanding of poetic modernism between the wars, one that retains a sense of the formal complexities of poetic language and the poet's own ethical imperatives whilst also recognising the material impact of modernity upon the modernist poem. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Victoria Bazin examines the poetry of Marianne Moore as it is shaped by and responsive to the experience of being a modern woman, of living in the aftermath of the First World War, of being interpellated as a modern consumer and of writing in "the age of mechanical reproduction." She argues that Moore's textual collages and syllabic sculptures are based on the cultural clutter or debris of modernity, on textual extracts and reproductions, on the phantasmagoria of city life revealing something modernism worked hard to conceal: its relation to modernity, more specifically its relation to the new emerging and expanding mass consumer culture. Drawing extensively on archival resources to trace Moore's influences and to describe her own distinctive modernist aesthetic, this book argues that it was her feminist adaptation of pragmatism that shaped her poetic response to modernity. Moore's use of the quoted fragment is conceptualised in relation not only to Walter Benjamin's philosophical history but also to William James's image of the world as a series of "partial stories." As such, this account of Marianne Moore not only contributes to a greater understanding of the poet and her work, but it also offers up a more politicized and historically nuanced understanding of poetic modernism between the wars, one that retains a sense of the formal complexities of poetic language and the poet's own ethical imperatives whilst also recognising the material impact of modernity upon the modernist poem. This book will appeal, therefore, not only to scholars already familiar with Moore's poetry but more widely to those interested in modernism and American culture between the wars.

More books from Taylor and Francis

Cover of the book Information and Referral in Reference Services by Victoria Bazin
Cover of the book Introduction to Group-Analytic Psychotherapy by Victoria Bazin
Cover of the book Religion by Radio by Victoria Bazin
Cover of the book Social Foundations of Markets, Money and Credit by Victoria Bazin
Cover of the book The Women's Movement and Women's Employment in Nineteenth Century Britain by Victoria Bazin
Cover of the book Energy Security in Asia and Eurasia by Victoria Bazin
Cover of the book Educating Students to Make a Difference by Victoria Bazin
Cover of the book Passing Your Weak Subjects by Victoria Bazin
Cover of the book Encyclopedia of the World's Endangered Languages by Victoria Bazin
Cover of the book In Defence of Empirical Psychology (Psychology Revivals) by Victoria Bazin
Cover of the book Implementing the Climate Regime by Victoria Bazin
Cover of the book Scholarship, Research Libraries, and Global Publishing by Victoria Bazin
Cover of the book Foundations of Educational Technology by Victoria Bazin
Cover of the book A Liverpool Merchant House by Victoria Bazin
Cover of the book New Directions in the Sociology of Health by Victoria Bazin
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy