Maurice Prendergast: Selected Paintings (Colour Plates)
Nonfiction, Art & Architecture, General Art, Art History, American
| Author: | Gerard Varela | ISBN: | 9788826099071 |
| Publisher: | Publisher s13381 | Publication: | October 17, 2017 |
| Imprint: | Language: | English |
| Author: | Gerard Varela |
| ISBN: | 9788826099071 |
| Publisher: | Publisher s13381 |
| Publication: | October 17, 2017 |
| Imprint: | |
| Language: | English |
Maurice Brazil Prendergast (1858 – 1924) was an American Post-Impressionist artist who worked in oil, watercolor, and monotype. He exhibited as a member of The Eight, though the delicacy of his compositions and mosaic-like beauty of his style differed from the artistic intentions and philosophy of the group.
Prendergast's work was strongly associated from the beginning with leisurely scenes set on beaches and in parks. His early work was mostly in watercolor or monotype, and he produced over two hundred monotypes between 1895 and 1902. He also experimented with oil painting in the 1890s, but did not focus on that medium until the early 1900s.
He developed early in his career and continued throughout his life to elaborate a highly personal style, with boldly contrasting, jewel-like colors, and flattened, pattern-like forms rhythmically arranged on a canvas. Forms were radically simplified and presented in flat areas of bright color. His paintings have been aptly described as tapestry-like or resembling mosaics.
Maurice Brazil Prendergast (1858 – 1924) was an American Post-Impressionist artist who worked in oil, watercolor, and monotype. He exhibited as a member of The Eight, though the delicacy of his compositions and mosaic-like beauty of his style differed from the artistic intentions and philosophy of the group.
Prendergast's work was strongly associated from the beginning with leisurely scenes set on beaches and in parks. His early work was mostly in watercolor or monotype, and he produced over two hundred monotypes between 1895 and 1902. He also experimented with oil painting in the 1890s, but did not focus on that medium until the early 1900s.
He developed early in his career and continued throughout his life to elaborate a highly personal style, with boldly contrasting, jewel-like colors, and flattened, pattern-like forms rhythmically arranged on a canvas. Forms were radically simplified and presented in flat areas of bright color. His paintings have been aptly described as tapestry-like or resembling mosaics.
