Mayor Snow

Fiction & Literature, Poetry
Cover of the book Mayor Snow by Nick Thran, Harbour Publishing Co. Ltd.
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Author: Nick Thran ISBN: 9780889710870
Publisher: Harbour Publishing Co. Ltd. Publication: September 26, 2015
Imprint: Nightwood Editions Language: English
Author: Nick Thran
ISBN: 9780889710870
Publisher: Harbour Publishing Co. Ltd.
Publication: September 26, 2015
Imprint: Nightwood Editions
Language: English

Mayor Snow is about both the abdication and acceptances of responsibilities and inheritance: be they civic, personal, poetic. It begins with speaker-less evocations of corrupt and oppressive political atmospheres and ends with first-person narrative tales of domestic life in Al Purdy’s refurbished A-frame. All of these poems work in a shadow, be they forebears, tabloids, cultural markers or government watchdogs.

In the opening and closing sequences, narrative devices act as smokescreens to abstract illustrations of power, with the central sequence reflecting on the subject of dislocation. Parody and paradox are closely intertwined throughout, with the authority of power disrupted through dark humour, unexpected images and the deep resonances existing in apparently innocuous things: a well-worn (and literally “powerless”) cabin, a baby daughter, a poem. The question of groundedness, whether literal, literary or familial, explores the terrain between the fearful and the familiar: “Go outside. / Listen to dogs howl. // How do we live / without power?”

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Mayor Snow is about both the abdication and acceptances of responsibilities and inheritance: be they civic, personal, poetic. It begins with speaker-less evocations of corrupt and oppressive political atmospheres and ends with first-person narrative tales of domestic life in Al Purdy’s refurbished A-frame. All of these poems work in a shadow, be they forebears, tabloids, cultural markers or government watchdogs.

In the opening and closing sequences, narrative devices act as smokescreens to abstract illustrations of power, with the central sequence reflecting on the subject of dislocation. Parody and paradox are closely intertwined throughout, with the authority of power disrupted through dark humour, unexpected images and the deep resonances existing in apparently innocuous things: a well-worn (and literally “powerless”) cabin, a baby daughter, a poem. The question of groundedness, whether literal, literary or familial, explores the terrain between the fearful and the familiar: “Go outside. / Listen to dogs howl. // How do we live / without power?”

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