Moby-Dick as Philosophy

Plato - Melville - Nietzsche

Fiction & Literature, Literary Theory & Criticism, Nonfiction, Religion & Spirituality, Philosophy
Cover of the book Moby-Dick as Philosophy by Mark Anderson, S.Ph. Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Anderson ISBN: 9780996772518
Publisher: S.Ph. Press Publication: November 1, 2015
Imprint: S.Ph. Press Language: English
Author: Mark Anderson
ISBN: 9780996772518
Publisher: S.Ph. Press
Publication: November 1, 2015
Imprint: S.Ph. Press
Language: English

Moby-Dick as Philosophy is at base a chapter-by-chapter commentary on Herman Melville’s masterwork, Moby-Dick. The commentary form of the book subserves a higher end, the presentation of an ideal of the type philosopher. Superimposing portraits of Plato, Melville, and Nietzsche—the thinkers themselves, their ideas and their lives—it generates a composite image from the overlaying and interblending of figures. At a higher level still, the book is a meditation on the nature of philosophy and its relation to wisdom, and the relation of creative artistry to both. It explores these themes in the context of the history of philosophy conceived as the rise and fall of a certain influential variety of Platonism—in Nietzschean terms, the life and death of God—and it proceeds with reference to the different reactions, as exemplified particularly by Melville and Nietzsche, to the nihilism that looms on the horizon of these intellectual and spiritual revolutions.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Moby-Dick as Philosophy is at base a chapter-by-chapter commentary on Herman Melville’s masterwork, Moby-Dick. The commentary form of the book subserves a higher end, the presentation of an ideal of the type philosopher. Superimposing portraits of Plato, Melville, and Nietzsche—the thinkers themselves, their ideas and their lives—it generates a composite image from the overlaying and interblending of figures. At a higher level still, the book is a meditation on the nature of philosophy and its relation to wisdom, and the relation of creative artistry to both. It explores these themes in the context of the history of philosophy conceived as the rise and fall of a certain influential variety of Platonism—in Nietzschean terms, the life and death of God—and it proceeds with reference to the different reactions, as exemplified particularly by Melville and Nietzsche, to the nihilism that looms on the horizon of these intellectual and spiritual revolutions.

More books from Philosophy

Cover of the book Reiki Reflections by Mark Anderson
Cover of the book The Doctrine of Signatures by Mark Anderson
Cover of the book Narrative Gravity by Mark Anderson
Cover of the book Nietzsche's Task by Mark Anderson
Cover of the book Global Democracy and Exclusion by Mark Anderson
Cover of the book Die Philosophen und ihre Kerngedanken by Mark Anderson
Cover of the book The Poetic Universe by Mark Anderson
Cover of the book Ich möchte ein Scheisshaufen sein by Mark Anderson
Cover of the book VON ABRAHAM BIS GABRIELE by Mark Anderson
Cover of the book Medieval Philosophy by Mark Anderson
Cover of the book Stillness Is the Key by Mark Anderson
Cover of the book io mi reincarno..e lei? by Mark Anderson
Cover of the book The Book of Tea by Mark Anderson
Cover of the book La société (Fiche notion) by Mark Anderson
Cover of the book Partnerships in Education Research by Mark Anderson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy