Music and the Politics of Negation

Nonfiction, Entertainment, Music, Theory & Criticism, Theory, History & Criticism, Reference
Cover of the book Music and the Politics of Negation by James R. Currie, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James R. Currie ISBN: 9780253005229
Publisher: Indiana University Press Publication: August 23, 2012
Imprint: Indiana University Press Language: English
Author: James R. Currie
ISBN: 9780253005229
Publisher: Indiana University Press
Publication: August 23, 2012
Imprint: Indiana University Press
Language: English

Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation by means of its musical encounters. His overriding thesis is that the forces that have formed us are not our fate.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Over the past quarter century, music studies in the academy have their postmodern credentials by insisting that our scholarly engagements start and end by placing music firmly within its various historical and social contexts. In Music and the Politics of Negation, James R. Currie sets out to disturb the validity of this now quite orthodox claim. Alternating dialectically between analytic and historical investigations into the late 18th century and the present, he poses a set of uncomfortable questions regarding the limits and complicities of the values that the academy keeps in circulation by means of its musical encounters. His overriding thesis is that the forces that have formed us are not our fate.

More books from Indiana University Press

Cover of the book McClellan's War by James R. Currie
Cover of the book Everyday Life in Central Asia by James R. Currie
Cover of the book The Swan by James R. Currie
Cover of the book Railroads and the American People by James R. Currie
Cover of the book A Phenomenology of Christian Life by James R. Currie
Cover of the book Where the Spirits Ride the Wind by James R. Currie
Cover of the book Judaism and the West by James R. Currie
Cover of the book Congratulations on Your Martyrdom! by James R. Currie
Cover of the book The Stigmatized Vernacular by James R. Currie
Cover of the book Dreams Deferred by James R. Currie
Cover of the book Comrades by James R. Currie
Cover of the book In Search of the Hebrew People by James R. Currie
Cover of the book Cinema, Nation, and Empire in Uzbekistan, 1919-1937 by James R. Currie
Cover of the book Music in Kenyan Christianity by James R. Currie
Cover of the book Troubled Geographies by James R. Currie
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy