New Perspectives on Narrative and Multimodality

Nonfiction, Reference & Language, Language Arts, Linguistics
Cover of the book New Perspectives on Narrative and Multimodality by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781135254605
Publisher: Taylor and Francis Publication: September 10, 2009
Imprint: Routledge Language: English
Author:
ISBN: 9781135254605
Publisher: Taylor and Francis
Publication: September 10, 2009
Imprint: Routledge
Language: English

The contributors in this collection question what kinds of relationships hold between narrative studies and the recently established field of multimodality, evaluate how we might develop an analytical vocabulary which recognizes that stories do not consist of words alone, and demonstrate the ways in which multimodality brings into fresh focus the embodied nature of narrative production and processing. Engaging with a spectrum of multimodal storytelling, from ‘low tech’ examples encompassing face-to-face stories, comic books, printed literature, through to opera, film adaptation and television documentary, stretching beyond to narratives that employ new media such as hypertext, performance art, and interactive museum guides, this volume examines the interplay of semiotic codes (visual, oral, aural, haptic, physiological) within each case under scrutiny, thereby exposing both points of commonality and difference in the range of multimodal narrative experiences.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The contributors in this collection question what kinds of relationships hold between narrative studies and the recently established field of multimodality, evaluate how we might develop an analytical vocabulary which recognizes that stories do not consist of words alone, and demonstrate the ways in which multimodality brings into fresh focus the embodied nature of narrative production and processing. Engaging with a spectrum of multimodal storytelling, from ‘low tech’ examples encompassing face-to-face stories, comic books, printed literature, through to opera, film adaptation and television documentary, stretching beyond to narratives that employ new media such as hypertext, performance art, and interactive museum guides, this volume examines the interplay of semiotic codes (visual, oral, aural, haptic, physiological) within each case under scrutiny, thereby exposing both points of commonality and difference in the range of multimodal narrative experiences.

More books from Taylor and Francis

Cover of the book Spatial Intelligence by
Cover of the book Negotiating National Identities by
Cover of the book Risk and Crisis Management in the Public Sector by
Cover of the book Modern Materialism and Emergent Evolution by
Cover of the book Immediacy and its Limits (Routledge Revivals) by
Cover of the book Women and Aging International by
Cover of the book Social and Legal Norms by
Cover of the book According to the Scriptures? by
Cover of the book The Indonesian Labour Market by
Cover of the book Marketing Research for Managers by
Cover of the book Neurotherapy and Neurofeedback by
Cover of the book Traditional Storytelling Today by
Cover of the book Xinjiang: China's Muslim Borderland by
Cover of the book Feminist Activism in the 1990s by
Cover of the book Full-Spectrum Economics by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy