Ode to the Heart Smaller than a Pencil Eraser

Fiction & Literature, Poetry
Cover of the book Ode to the Heart Smaller than a Pencil Eraser by Luisa A. Igloria, Utah State University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Luisa A. Igloria ISBN: 9780874219791
Publisher: Utah State University Press Publication: September 15, 2014
Imprint: Utah State University Press Language: English
Author: Luisa A. Igloria
ISBN: 9780874219791
Publisher: Utah State University Press
Publication: September 15, 2014
Imprint: Utah State University Press
Language: English

“When Luisa Igloria cites Epictetus—‘as soon as a thing has been seen, it is carried away, and another comes in its place’—she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. ‘I was raised / to believe not only the beautiful can live on / Parnassus,’ she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe."
—Mark Doty, judge for the 2014 Swenson Award

The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

“When Luisa Igloria cites Epictetus—‘as soon as a thing has been seen, it is carried away, and another comes in its place’—she introduces the crowded and contradictory world her poems portray: a realm of transience, yes, where the vulnerable come to harm and everything disappears, but also a scene of tremendous, unpredictable bounty, the gloriously hued density this poet loves to detail. ‘I was raised / to believe not only the beautiful can live on / Parnassus,’ she tells us, and she makes it true, by including in the cyclonic swirl of her poems practically everything: a gorgeous, troubling over-brimming universe."
—Mark Doty, judge for the 2014 Swenson Award

The May Swenson Poetry Award, an annual competition named for May Swenson, honors her as one of America's most provocative and vital writers. During her long career, Swenson was loved and praised by writers from virtually every school of American poetry. She left a legacy of fifty years of writing when she died in 1989. She is buried in Logan, Utah, her hometown.

More books from Utah State University Press

Cover of the book Retention and Resistance by Luisa A. Igloria
Cover of the book The Politics of Writing Studies by Luisa A. Igloria
Cover of the book Dynamics Of Folklore by Luisa A. Igloria
Cover of the book Slender Man Is Coming by Luisa A. Igloria
Cover of the book Microhistories of Composition by Luisa A. Igloria
Cover of the book Naming What We Know by Luisa A. Igloria
Cover of the book Teaching Professional and Technical Communication by Luisa A. Igloria
Cover of the book Coal in our Veins by Luisa A. Igloria
Cover of the book Unsettling Assumptions by Luisa A. Igloria
Cover of the book Exploring Desert Stone by Luisa A. Igloria
Cover of the book A New Writing Classroom by Luisa A. Igloria
Cover of the book Twenty-One Genres and How to Write Them by Luisa A. Igloria
Cover of the book Circulation, Writing, and Rhetoric by Luisa A. Igloria
Cover of the book The Polygamy Question by Luisa A. Igloria
Cover of the book Center Will Hold by Luisa A. Igloria
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy