Opening Wednesday at a Theater or Drive-In Near You

The Shadow Cinema of the American '70s

Nonfiction, Art & Architecture, General Art, Popular Culture, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Opening Wednesday at a Theater or Drive-In Near You by Charles Taylor, Bloomsbury Publishing
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Author: Charles Taylor ISBN: 9781632868176
Publisher: Bloomsbury Publishing Publication: June 6, 2017
Imprint: Bloomsbury USA Language: English
Author: Charles Taylor
ISBN: 9781632868176
Publisher: Bloomsbury Publishing
Publication: June 6, 2017
Imprint: Bloomsbury USA
Language: English

"Movie criticism's Dostoyevsky . . . Taylor reveals a national identity forged from the innocence we claim to have lost but never had in the first place.†? --Steve Erickson, author of Zeroville

When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver,and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times."

Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

"Movie criticism's Dostoyevsky . . . Taylor reveals a national identity forged from the innocence we claim to have lost but never had in the first place.†? --Steve Erickson, author of Zeroville

When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver,and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times."

Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity.

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