Paul and the Apocalyptic Triumph

An Investigation of the Usage of Jewish and Greco-Roman Imagery in 1 Thess. 4:1318

Nonfiction, Religion & Spirituality, Bible & Bible Studies, New Testament, Criticism & Interpretation
Cover of the book Paul and the Apocalyptic Triumph by Michael E. Peach, Peter Lang
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Author: Michael E. Peach ISBN: 9781454190097
Publisher: Peter Lang Publication: April 19, 2016
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Michael E. Peach
ISBN: 9781454190097
Publisher: Peter Lang
Publication: April 19, 2016
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

1 Thessalonians 4:13–18 has long been the quintessential Pauline text on the parousia of Christ. Nowhere else does Paul reveal a more vivid picture of Christ’s coming. The apostle Paul employs a number of images to describe the parousia to the Thessalonian congregation who have become anxious, grief-stricken, and despairing in the midst of the loss of their loved ones. Until recently scholars have held that Paul’s use of imagery in 1 Thess. 4:13–18 was either inspired by Greco-Roman imperial categories or Jewish apocalyptic categories.
Michael E. Peach provides a fresh examination of imagery in 1 Thess. 4:13–18 arguing that Paul synthesizes both the Jewish and Greco-Roman imagery. With careful analysis, Peach traces the history of interpretation of Pauline eschatology finding patterns of thought concerning the source of inspiration of Paul’s use of imagery. Utilizing these patterns, the author further examines the meaning and function of four images employed by Paul: «a loud command,» «the sound of an archangel,» «the trumpet of God,» and «the meeting of the Lord.» Ultimately, Peach’s discoveries demonstrate that Paul synthesizes apocalyptic and Greco-Roman triumph imagery to create a dramatic mosaic of the apocalyptic triumph, the parousia of Jesus Christ.

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1 Thessalonians 4:13–18 has long been the quintessential Pauline text on the parousia of Christ. Nowhere else does Paul reveal a more vivid picture of Christ’s coming. The apostle Paul employs a number of images to describe the parousia to the Thessalonian congregation who have become anxious, grief-stricken, and despairing in the midst of the loss of their loved ones. Until recently scholars have held that Paul’s use of imagery in 1 Thess. 4:13–18 was either inspired by Greco-Roman imperial categories or Jewish apocalyptic categories.
Michael E. Peach provides a fresh examination of imagery in 1 Thess. 4:13–18 arguing that Paul synthesizes both the Jewish and Greco-Roman imagery. With careful analysis, Peach traces the history of interpretation of Pauline eschatology finding patterns of thought concerning the source of inspiration of Paul’s use of imagery. Utilizing these patterns, the author further examines the meaning and function of four images employed by Paul: «a loud command,» «the sound of an archangel,» «the trumpet of God,» and «the meeting of the Lord.» Ultimately, Peach’s discoveries demonstrate that Paul synthesizes apocalyptic and Greco-Roman triumph imagery to create a dramatic mosaic of the apocalyptic triumph, the parousia of Jesus Christ.

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