Paul Cezanne: 235 Colour Plates

Nonfiction, Art & Architecture, Art History, European, General Art
Cover of the book Paul Cezanne: 235 Colour Plates by Maria Peitcheva, Maria Peitcheva
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maria Peitcheva ISBN: 9788892566675
Publisher: Maria Peitcheva Publication: March 11, 2016
Imprint: Language: English
Author: Maria Peitcheva
ISBN: 9788892566675
Publisher: Maria Peitcheva
Publication: March 11, 2016
Imprint:
Language: English

Paul Cézanne was the leading figure in the revolution toward abstraction in modern painting. His influence on the course of modern art, particularly on the development of cubism, is enormous and deep. In his early career, he was strongly influenced by Delacroix and Courbet. Through Pissarro, Cezanne came to know Manet and the Impressionist painters. He exhibited with the Impressionists in 1874, but eventually rejected what he considered the Impressionists' lack of structure. Cezanne sought to "recreate nature" by simplifying forms to their basic geometric equivalents, utilizing contrasts of colour and considerable distortion to express the essence of landscape, still-lifes, and figural groupings. Instead of adhering to the traditional focalized system of perspective, he portrayed objects from shifting viewpoints. Cezanne worked in oil, watercolour, and drawing media, often making several versions of his works.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Paul Cézanne was the leading figure in the revolution toward abstraction in modern painting. His influence on the course of modern art, particularly on the development of cubism, is enormous and deep. In his early career, he was strongly influenced by Delacroix and Courbet. Through Pissarro, Cezanne came to know Manet and the Impressionist painters. He exhibited with the Impressionists in 1874, but eventually rejected what he considered the Impressionists' lack of structure. Cezanne sought to "recreate nature" by simplifying forms to their basic geometric equivalents, utilizing contrasts of colour and considerable distortion to express the essence of landscape, still-lifes, and figural groupings. Instead of adhering to the traditional focalized system of perspective, he portrayed objects from shifting viewpoints. Cezanne worked in oil, watercolour, and drawing media, often making several versions of his works.

More books from Maria Peitcheva

Cover of the book Millet: Drawings Colour Plates by Maria Peitcheva
Cover of the book Van Gogh: 225 Colour Plates by Maria Peitcheva
Cover of the book Holbein the Younger: 190 Plates by Maria Peitcheva
Cover of the book Charles Le Brun: 215 Colour Plates by Maria Peitcheva
Cover of the book Schischkin: Drawings Colour Plates by Maria Peitcheva
Cover of the book George Clausen: 192 Colour Plates by Maria Peitcheva
Cover of the book James Whistler: 305 Plates by Maria Peitcheva
Cover of the book Burne Jones: Drawings 151 Colour Plates by Maria Peitcheva
Cover of the book Giovanni Castiglione: Drawings Colour by Maria Peitcheva
Cover of the book Henry Fuseli: 250 Colour Plates by Maria Peitcheva
Cover of the book Ingres: 255 Plates by Maria Peitcheva
Cover of the book Thomas Eakins: 164 Colour Plates by Maria Peitcheva
Cover of the book Adolph Menzel: Drawings Colour Plates by Maria Peitcheva
Cover of the book Mikhail Vrubel: Drawings Colour Plates by Maria Peitcheva
Cover of the book Theodore Gericault: Drawings Colour Plates by Maria Peitcheva
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy