| Author: | Cosmo Hamilton | ISBN: | 9781465622297 |
| Publisher: | Library of Alexandria | Publication: | March 8, 2015 |
| Imprint: | Language: | English |
| Author: | Cosmo Hamilton |
| ISBN: | 9781465622297 |
| Publisher: | Library of Alexandria |
| Publication: | March 8, 2015 |
| Imprint: | |
| Language: | English |
By Jove, there's Beatrix Vanderdyke! "Why not?" "What on earth is she doing in New York at this time of year?" There was a laugh and a shrug. "If it comes to that, my dear fellow, what on earth are we doing in New York at this time of year? Anyway, I'm not interested." "I am. She's with that unpleasant brute, Sutherland York again. I wish to Heaven she wouldn't go about with a second-rate portrait painter who only gets commissions by licking people's boots, or any other man, for the matter of that, at this time of night." Pelham Franklin laughed. "I'm sorry I can't squeeze up any interest in Miss Vanderdyke," he said. "I've seen her going into York's studio round about midnight several times, but it's her life. She has to lead it. There's no accounting for tastes, you know. You and I, for instance, have a penchant for the Ziegfeld Follies. I vote we walk, it's a little cooler now." And as the only son of the famous millionaire Franklin, sauntered away with his friend, Sutherland York, the "unpleasant brute," followed Miss Vanderdyke into the elevator. York had cultivated a peculiar habit of looking at a woman as though she were the only one alive, and by doing so had achieved a list of clients which made the mouth of every other portrait painter in New York water with envy. He also had a way, which amounted to a gift, of running his eyes over women which made them feel that they had nothing on. It caused some to shudder, some to preen themselves, and some—the coarser, indelicate type—to feel a pleasant thrill of excitement. Like many men who paint portraits for a living, Sutherland York had discovered that in order to pay the rent of a very expensive apartment, keep a man, dress to perfection and dine frequently at Sherry's and the Ritz, it is necessary to know something more than how to paint. Women were his clients. They provided him with his butter as well as his bread, and he catered to them with artfulness rather than with art. Miss Vanderdyke came in for all this man's eye-play in the elevator, but without a flicker of a lash bore up against it. The city had baked beneath a hot June sun that day. The night was airless and oppressive. Beatrix dropped her cloak and went over to one of the open windows and stood there with the discreet lights showing up the smooth whiteness of her shoulders, arms and back. Her dress was one of those so-called smart things that one sees in the windows of fashionable shops which affect French names. It left very little to the imagination and was as short as it was low. In between it was ugly and foolish, and required a very beautiful young body to live it down and put a check on the ribald laughter of sane people. On the other side of Fifth Avenue the Plaza, with its multitudinous windows all gleaming, reared its head up to the clear sky. Along the glistening street below intermittent automobiles glided like black beetles.
By Jove, there's Beatrix Vanderdyke! "Why not?" "What on earth is she doing in New York at this time of year?" There was a laugh and a shrug. "If it comes to that, my dear fellow, what on earth are we doing in New York at this time of year? Anyway, I'm not interested." "I am. She's with that unpleasant brute, Sutherland York again. I wish to Heaven she wouldn't go about with a second-rate portrait painter who only gets commissions by licking people's boots, or any other man, for the matter of that, at this time of night." Pelham Franklin laughed. "I'm sorry I can't squeeze up any interest in Miss Vanderdyke," he said. "I've seen her going into York's studio round about midnight several times, but it's her life. She has to lead it. There's no accounting for tastes, you know. You and I, for instance, have a penchant for the Ziegfeld Follies. I vote we walk, it's a little cooler now." And as the only son of the famous millionaire Franklin, sauntered away with his friend, Sutherland York, the "unpleasant brute," followed Miss Vanderdyke into the elevator. York had cultivated a peculiar habit of looking at a woman as though she were the only one alive, and by doing so had achieved a list of clients which made the mouth of every other portrait painter in New York water with envy. He also had a way, which amounted to a gift, of running his eyes over women which made them feel that they had nothing on. It caused some to shudder, some to preen themselves, and some—the coarser, indelicate type—to feel a pleasant thrill of excitement. Like many men who paint portraits for a living, Sutherland York had discovered that in order to pay the rent of a very expensive apartment, keep a man, dress to perfection and dine frequently at Sherry's and the Ritz, it is necessary to know something more than how to paint. Women were his clients. They provided him with his butter as well as his bread, and he catered to them with artfulness rather than with art. Miss Vanderdyke came in for all this man's eye-play in the elevator, but without a flicker of a lash bore up against it. The city had baked beneath a hot June sun that day. The night was airless and oppressive. Beatrix dropped her cloak and went over to one of the open windows and stood there with the discreet lights showing up the smooth whiteness of her shoulders, arms and back. Her dress was one of those so-called smart things that one sees in the windows of fashionable shops which affect French names. It left very little to the imagination and was as short as it was low. In between it was ugly and foolish, and required a very beautiful young body to live it down and put a check on the ribald laughter of sane people. On the other side of Fifth Avenue the Plaza, with its multitudinous windows all gleaming, reared its head up to the clear sky. Along the glistening street below intermittent automobiles glided like black beetles.
