Six Centuries of English Poetry: Tennyson to Chaucer

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book Six Centuries of English Poetry: Tennyson to Chaucer by James Baldwin, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James Baldwin ISBN: 9781465614353
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: James Baldwin
ISBN: 9781465614353
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English
Now appeared the English romantic school, a sect of 'dissenters in poetry,' who spoke out aloud, kept themselves close together, and repelled settled minds by the audacity and novelty of their theories. They had violently broken with tradition, and leaped over all classical culture, to take their models from the Renaissance and the middle-age. They sought, in the old national ballads and ancient poetry of foreign lands, the fresh and primitive accent which had been wanting in classical literature, and whose presence seemed to them to be a sign of truth and beauty. They proposed to adapt to poetry the ordinary language of conversation, such as is spoken in the middle and lower classes, and to replace studied phrases and a lofty vocabulary by natural tones and plebeian words. In place of the classic mould, they tried stanzas, sonnets, ballads, blank verse, with the roughness and subdivisions of the primitive poets. . . . Some had culled gigantic legends, piled up dreams, ransacked the East, Greece, Arabia, the Middle Ages, and overloaded the human imagination with hues and fancies from every clime. Others had buried themselves in metaphysics and moral philosophy, had mused indefatigably on the condition of man, and spent their lives on the sublime and the monotonous. Others, making a medley of crime and heroism, had conducted, through darkness and flashes of lightning, a train of contorted and terrible figures, desperate with remorse, relieved by their grandeur. Men wanted to rest after so many efforts and so much success. On the going out of the imaginative, sentimental, and Satanic school, Tennyson appeared exquisite. All the forms and ideas which had pleased them were found in him, but purified, modulated, set in a splendid style. He completed an age.—Taine.
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Now appeared the English romantic school, a sect of 'dissenters in poetry,' who spoke out aloud, kept themselves close together, and repelled settled minds by the audacity and novelty of their theories. They had violently broken with tradition, and leaped over all classical culture, to take their models from the Renaissance and the middle-age. They sought, in the old national ballads and ancient poetry of foreign lands, the fresh and primitive accent which had been wanting in classical literature, and whose presence seemed to them to be a sign of truth and beauty. They proposed to adapt to poetry the ordinary language of conversation, such as is spoken in the middle and lower classes, and to replace studied phrases and a lofty vocabulary by natural tones and plebeian words. In place of the classic mould, they tried stanzas, sonnets, ballads, blank verse, with the roughness and subdivisions of the primitive poets. . . . Some had culled gigantic legends, piled up dreams, ransacked the East, Greece, Arabia, the Middle Ages, and overloaded the human imagination with hues and fancies from every clime. Others had buried themselves in metaphysics and moral philosophy, had mused indefatigably on the condition of man, and spent their lives on the sublime and the monotonous. Others, making a medley of crime and heroism, had conducted, through darkness and flashes of lightning, a train of contorted and terrible figures, desperate with remorse, relieved by their grandeur. Men wanted to rest after so many efforts and so much success. On the going out of the imaginative, sentimental, and Satanic school, Tennyson appeared exquisite. All the forms and ideas which had pleased them were found in him, but purified, modulated, set in a splendid style. He completed an age.—Taine.

More books from Library of Alexandria

Cover of the book The Life of Our Lord in Simple Language for Little Children by James Baldwin
Cover of the book The Sun of Quebec: A Story of a Great Crisis by James Baldwin
Cover of the book The Little Red Foot by James Baldwin
Cover of the book The Prophecies of Nostradamus (in English and French Languages) by James Baldwin
Cover of the book The Tomato by James Baldwin
Cover of the book The Americans as They Are: Described in a Tour Through the Valley of the Mississippi by James Baldwin
Cover of the book Forty Thousand Miles Over Land and Water: The Journal of a Tour Through the British Empire and America by James Baldwin
Cover of the book The Ideals of The East With Special Reference To The Art of Japan by James Baldwin
Cover of the book Napoleon's Campaign in Russia Anno 1812 by James Baldwin
Cover of the book Curiosities of Medical Experience by James Baldwin
Cover of the book Visions and Beliefs in the West of Ireland by James Baldwin
Cover of the book The Earth Gods by James Baldwin
Cover of the book Chance and Luck by James Baldwin
Cover of the book Rose and Rose by James Baldwin
Cover of the book A fundação da monarchia portugueza narração anti-iberica by James Baldwin
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy