Sound Tracks

Popular Music Identity and Place

Nonfiction, Science & Nature, Science, Earth Sciences, Geography, Social & Cultural Studies, Social Science, Human Geography
Cover of the book Sound Tracks by John Connell, Chris Gibson, Taylor and Francis
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Author: John Connell, Chris Gibson ISBN: 9781134699124
Publisher: Taylor and Francis Publication: September 2, 2003
Imprint: Routledge Language: English
Author: John Connell, Chris Gibson
ISBN: 9781134699124
Publisher: Taylor and Francis
Publication: September 2, 2003
Imprint: Routledge
Language: English

Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts.
In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sound Tracks is the first comprehensive book on the new geography of popular music, examining the complex links between places, music and cultural identities. It provides an interdisciplinary perspective on local, national and global scenes, from the 'Mersey' and 'Icelandic' sounds to 'world music', and explores the diverse meanings of music in a range of regional contexts.
In a world of intensified globalisation, links between space, music and identity are increasingly tenuous, yet places give credibility to music, not least in the 'country', and music is commonly linked to place, as a stake to originality, a claim to tradition and as a marketing device. This book develops new perspectives on these relationships and how they are situated within cultural and geographical thought.

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