Spike Lee's 'Bamboozled': The Depiction of African-Americas in US Popular Film and Television and its Traditions

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book Spike Lee's 'Bamboozled': The Depiction of African-Americas in US Popular Film and Television and its Traditions by Ulrich Ackermann, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ulrich Ackermann ISBN: 9783640557097
Publisher: GRIN Publishing Publication: March 8, 2010
Imprint: GRIN Publishing Language: English
Author: Ulrich Ackermann
ISBN: 9783640557097
Publisher: GRIN Publishing
Publication: March 8, 2010
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Freiburg, course: Hauptseminar The Rise of the Entertainment Industry, language: English, abstract: Throughout their history in the United States, African-Americans had never been in charge of their own image. When in Kentucky in 1928, Thomas 'Daddy' Rice, a white man who performed in black-face 'Jim Crow', a song that he had heard before in the South from a black performer, a new genre was born: the minstrel show, a white imitation of black culture. In his movie Bamboozled (2000), Spike Lee confronts us with the question, if these racist nineteenth century depictions of African Americans still exist today in contemporary popular media. In this case we have to ask the question of responsibility for these representations: In the 1990s 340 billion dollars had been spent on media and entertainment in the United States. The entertainment industry today has become the fastest increasing factor of economy. Since the 1970s television is the largest and most influential entertainment medium in North America and occupies a crucial space in practices of everyday life, 'where important social encounters and cultural transformations are possible.' The concept of 'seeing is believing' obviously is a major factor here.' A majority of Americans only came to know and understand the American racial order through media representations of the black ethnic other. This research paper will try to give some proof of the historical continuity of the stereotypical racist representations of African Americans from the days of minstrelsy and vaudeville until today.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Freiburg, course: Hauptseminar The Rise of the Entertainment Industry, language: English, abstract: Throughout their history in the United States, African-Americans had never been in charge of their own image. When in Kentucky in 1928, Thomas 'Daddy' Rice, a white man who performed in black-face 'Jim Crow', a song that he had heard before in the South from a black performer, a new genre was born: the minstrel show, a white imitation of black culture. In his movie Bamboozled (2000), Spike Lee confronts us with the question, if these racist nineteenth century depictions of African Americans still exist today in contemporary popular media. In this case we have to ask the question of responsibility for these representations: In the 1990s 340 billion dollars had been spent on media and entertainment in the United States. The entertainment industry today has become the fastest increasing factor of economy. Since the 1970s television is the largest and most influential entertainment medium in North America and occupies a crucial space in practices of everyday life, 'where important social encounters and cultural transformations are possible.' The concept of 'seeing is believing' obviously is a major factor here.' A majority of Americans only came to know and understand the American racial order through media representations of the black ethnic other. This research paper will try to give some proof of the historical continuity of the stereotypical racist representations of African Americans from the days of minstrelsy and vaudeville until today.

More books from GRIN Publishing

Cover of the book Rather Something - On 'nothing' in King Lear by Ulrich Ackermann
Cover of the book Middle English love poetry - Dialects and origin by Ulrich Ackermann
Cover of the book The Rise and Fall of the Indigenous Business Development Center in Zimbabwe by Ulrich Ackermann
Cover of the book The Role Of Sexuality in Tennessee Williams´ 'A Streetcar Named Desire' by Ulrich Ackermann
Cover of the book The Reformation in Scotland by Ulrich Ackermann
Cover of the book Semiotics: A critical analysis of three advertisements by Ulrich Ackermann
Cover of the book HSBC Banking and Finance by Ulrich Ackermann
Cover of the book Transformational Leadership by Ulrich Ackermann
Cover of the book Synonyms. A Semantic Study of Appointment and Engagement by Ulrich Ackermann
Cover of the book The modal verbs can and may in English and Spanish by Ulrich Ackermann
Cover of the book Homosexuality and Pathology in the US by Ulrich Ackermann
Cover of the book A Book Analysis of 'The Hidden Connections: A Science for Sustainable Living' by Fritjof Capra by Ulrich Ackermann
Cover of the book Public Relations as a tool of tourism marketing by Ulrich Ackermann
Cover of the book The Current Situatons of Jamicans in the British Labour Market by Ulrich Ackermann
Cover of the book Villain or hero? - Shakespeare's image of Richard III by Ulrich Ackermann
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy