The Beginnings of Ladino Literature

Moses Almosnino and His Readers

Fiction & Literature, Literary Theory & Criticism, Jewish, Nonfiction, History
Cover of the book The Beginnings of Ladino Literature by Olga Borovaya, Indiana University Press
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Author: Olga Borovaya ISBN: 9780253025845
Publisher: Indiana University Press Publication: March 13, 2017
Imprint: Indiana University Press Language: English
Author: Olga Borovaya
ISBN: 9780253025845
Publisher: Indiana University Press
Publication: March 13, 2017
Imprint: Indiana University Press
Language: English

Moses Almosnino (1518-1580), arguably the most famous Ottoman Sephardi writer and the only one who was known in Europe to both Jews and Christians, became renowned for his vernacular books that were admired by Ladino readers across many generations. While Almosnino's works were written in a style similar to contemporaneous Castilian, Olga Borovaya makes a strong argument for including them in the corpus of Ladino (Judeo-Spanish) literature. Borovaya suggests that the history of Ladino literature begins at least 200 years earlier than previously believed and that Ladino, like most other languages, had more than one functional style. With careful historical work, Borovaya establishes a new framework for thinking about Ladino language and literature and the early history of European print culture.

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Moses Almosnino (1518-1580), arguably the most famous Ottoman Sephardi writer and the only one who was known in Europe to both Jews and Christians, became renowned for his vernacular books that were admired by Ladino readers across many generations. While Almosnino's works were written in a style similar to contemporaneous Castilian, Olga Borovaya makes a strong argument for including them in the corpus of Ladino (Judeo-Spanish) literature. Borovaya suggests that the history of Ladino literature begins at least 200 years earlier than previously believed and that Ladino, like most other languages, had more than one functional style. With careful historical work, Borovaya establishes a new framework for thinking about Ladino language and literature and the early history of European print culture.

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