The Cambridge Companion to Moliere

Fiction & Literature, Drama, Continental European, Nonfiction, Entertainment, Performing Arts
Cover of the book The Cambridge Companion to Moliere by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139817264
Publisher: Cambridge University Press Publication: September 14, 2006
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139817264
Publisher: Cambridge University Press
Publication: September 14, 2006
Imprint: Cambridge University Press
Language: English

A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.

More books from Cambridge University Press

Cover of the book The Social Archaeology of the Levant by
Cover of the book The Rise of the Western World by
Cover of the book Camera Aloft by
Cover of the book The Order of Public Reason by
Cover of the book Compressed Sensing by
Cover of the book Latent Inhibition by
Cover of the book Strategic Risk Management Practice by
Cover of the book Judging Social Rights by
Cover of the book The Puzzle of Modern Economics by
Cover of the book Protection of Immovables in European Legal Systems by
Cover of the book Orientalism and Islam by
Cover of the book Shakespeare's Reading Audiences by
Cover of the book The Cambridge Companion to French Literature by
Cover of the book Health Psychology in Australia by
Cover of the book Introduction to Comparative Politics by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy