The Helmholtz Legacy in Physiological Acoustics

Nonfiction, Religion & Spirituality, Philosophy, Aesthetics, Science & Nature, Science, Other Sciences, History
Cover of the book The Helmholtz Legacy in Physiological Acoustics by Erwin Hiebert, Springer International Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Erwin Hiebert ISBN: 9783319066028
Publisher: Springer International Publishing Publication: June 12, 2014
Imprint: Springer Language: English
Author: Erwin Hiebert
ISBN: 9783319066028
Publisher: Springer International Publishing
Publication: June 12, 2014
Imprint: Springer
Language: English

This book explores the interactions between science and music in the late nineteenth- and early twentieth century. It examines and evaluates the work of Hermann von Helmholtz, Max Planck, Shohé Tanaka, and Adriaan Fokker, leading physicists and physiologists who were committed to understanding crucial aesthetic components of the art of music, including the standardization of pitch and the implementation of various types of intonations. With a mixture of physics, physiology, and aesthetics, author Erwin Hiebert addresses throughout the book how just intonation came to intersect with the history of keyboard instruments and exert an influence on the development of Western music. He begins with the work of Hermann von Helmholtz, a leading nineteenth-century physicist and physiologist who not only made important contributions in vision, optics, electrodynamics and thermodynamics, but also helped advanced the field of music theory as well. The author traces the Helmholtzian trends of thought that become inherently more complex by reaching beyond the sciences to perform a bridge with aesthetics and the diverse ways in which the human mind interprets or is taught, in different cultures, to interpret and understand music. Next, the author explores the works of other key physicists and physiologists who were influenced by Helmholtz and added to his legacy. He examines Japanese music theory student Shohé Tanaka, who sought to design a harmonium that was not based on equal temperament but rather on just intonation. Dutch physicist Adriaan Daniel Fokker, who arranged for organs to be built based on 31-tones per octave, orchestrated concerts for these new instruments and even attempted to compose microtonal music, or music whose tonality is based on intervals smaller than the typical twelve semitones of Western music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book explores the interactions between science and music in the late nineteenth- and early twentieth century. It examines and evaluates the work of Hermann von Helmholtz, Max Planck, Shohé Tanaka, and Adriaan Fokker, leading physicists and physiologists who were committed to understanding crucial aesthetic components of the art of music, including the standardization of pitch and the implementation of various types of intonations. With a mixture of physics, physiology, and aesthetics, author Erwin Hiebert addresses throughout the book how just intonation came to intersect with the history of keyboard instruments and exert an influence on the development of Western music. He begins with the work of Hermann von Helmholtz, a leading nineteenth-century physicist and physiologist who not only made important contributions in vision, optics, electrodynamics and thermodynamics, but also helped advanced the field of music theory as well. The author traces the Helmholtzian trends of thought that become inherently more complex by reaching beyond the sciences to perform a bridge with aesthetics and the diverse ways in which the human mind interprets or is taught, in different cultures, to interpret and understand music. Next, the author explores the works of other key physicists and physiologists who were influenced by Helmholtz and added to his legacy. He examines Japanese music theory student Shohé Tanaka, who sought to design a harmonium that was not based on equal temperament but rather on just intonation. Dutch physicist Adriaan Daniel Fokker, who arranged for organs to be built based on 31-tones per octave, orchestrated concerts for these new instruments and even attempted to compose microtonal music, or music whose tonality is based on intervals smaller than the typical twelve semitones of Western music.

More books from Springer International Publishing

Cover of the book Automation, Communication and Cybernetics in Science and Engineering 2013/2014 by Erwin Hiebert
Cover of the book Urban Resilience for Emergency Response and Recovery by Erwin Hiebert
Cover of the book Growth Factors and Cytokines in Skeletal Muscle Development, Growth, Regeneration and Disease by Erwin Hiebert
Cover of the book Informatics in Control, Automation and Robotics 12th International Conference, ICINCO 2015 Colmar, France, July 21-23, 2015 Revised Selected Papers by Erwin Hiebert
Cover of the book A Justice-Based Approach for New Media Policy by Erwin Hiebert
Cover of the book Nuclear Energy for Hydrogen Generation through Intermediate Heat Exchangers by Erwin Hiebert
Cover of the book Analytical Design of PID Controllers by Erwin Hiebert
Cover of the book Policy-Based Autonomic Data Governance by Erwin Hiebert
Cover of the book Computer-Supported Collaborative Decision-Making by Erwin Hiebert
Cover of the book How Ireland Voted 2016 by Erwin Hiebert
Cover of the book Examining Mental Health through Social Constructionism by Erwin Hiebert
Cover of the book Advances in Swarm Intelligence by Erwin Hiebert
Cover of the book Slow Tech and ICT by Erwin Hiebert
Cover of the book Inflammasomes: Clinical and Therapeutic Implications by Erwin Hiebert
Cover of the book Traumatic Memories of the Second World War and After by Erwin Hiebert
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy