Author: | Julio Mota, Jackie Hand, Melina Scialom, Susanne Schlicher, Rosel Grassmann, Ciane Fernandes | ISBN: | 9781784500344 |
Publisher: | Jessica Kingsley Publishers | Publication: | December 21, 2014 |
Imprint: | Jessica Kingsley Publishers | Language: | English |
Author: | Julio Mota, Jackie Hand, Melina Scialom, Susanne Schlicher, Rosel Grassmann, Ciane Fernandes |
ISBN: | 9781784500344 |
Publisher: | Jessica Kingsley Publishers |
Publication: | December 21, 2014 |
Imprint: | Jessica Kingsley Publishers |
Language: | English |
This comprehensive book will serve as a step-by-step guide to Laban/Bartenieff Movement Analysis, updating and expanding concepts and practices.
Following extensive research on the method developed by Rudolf von Laban and his disciples, this book explains movement principles, exercises, and motif symbols in detail. Organized according to the four categories of Laban/Bartenieff Movement Analysis (Body-Effort-Shape-Space), additional chapters present the different developments of the theory in relation to performing arts and movement therapy. The author draws on Laban/Bartenieff Movement Analysis as a dynamic and connective approach, traveling from classroom and studio to everyday life, stage performance, and film acting. The Laban perspective serves as a multimedia artistic viewpoint, intertwining theory, learning, and imagery.
This unique approach to this internationally used method is essential reading for educators and students of dance and other performing arts and movement-related professions.
This comprehensive book will serve as a step-by-step guide to Laban/Bartenieff Movement Analysis, updating and expanding concepts and practices.
Following extensive research on the method developed by Rudolf von Laban and his disciples, this book explains movement principles, exercises, and motif symbols in detail. Organized according to the four categories of Laban/Bartenieff Movement Analysis (Body-Effort-Shape-Space), additional chapters present the different developments of the theory in relation to performing arts and movement therapy. The author draws on Laban/Bartenieff Movement Analysis as a dynamic and connective approach, traveling from classroom and studio to everyday life, stage performance, and film acting. The Laban perspective serves as a multimedia artistic viewpoint, intertwining theory, learning, and imagery.
This unique approach to this internationally used method is essential reading for educators and students of dance and other performing arts and movement-related professions.