The Pogues' Rum, Sodomy and the Lash

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, Pop & Rock, Rock
Cover of the book The Pogues' Rum, Sodomy and the Lash by Jeffrey T. Roesgen, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jeffrey T. Roesgen ISBN: 9781441105707
Publisher: Bloomsbury Publishing Publication: September 19, 2008
Imprint: Continuum Language: English
Author: Jeffrey T. Roesgen
ISBN: 9781441105707
Publisher: Bloomsbury Publishing
Publication: September 19, 2008
Imprint: Continuum
Language: English

To absorb Rum, Sodomy, and the Lash is to be taken on a wild voyage with a cast of downtrodden revolutionaries. Despite this notion, the epic themes of the Pogues' second full length record have been overlooked by both critics and biographers in favor of two things: the band's penchant for combining Celtic folk with punk rhythms ("the sound") and the excesses of Shane MacGowan ("the creator"). Instead of reiterating these aspects, this book discusses, in the form of a sea-faring narrative, the record's articulation of what it is found to be magnificently trodden. Through epic imagery gracing the cover of the album and reverberating throughout the lyrics, Roesgen's book shows that what the Pogues created is far more than pub-room music created by drunken men wallowing in Irish nostalgia and pining for something subversive.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

To absorb Rum, Sodomy, and the Lash is to be taken on a wild voyage with a cast of downtrodden revolutionaries. Despite this notion, the epic themes of the Pogues' second full length record have been overlooked by both critics and biographers in favor of two things: the band's penchant for combining Celtic folk with punk rhythms ("the sound") and the excesses of Shane MacGowan ("the creator"). Instead of reiterating these aspects, this book discusses, in the form of a sea-faring narrative, the record's articulation of what it is found to be magnificently trodden. Through epic imagery gracing the cover of the album and reverberating throughout the lyrics, Roesgen's book shows that what the Pogues created is far more than pub-room music created by drunken men wallowing in Irish nostalgia and pining for something subversive.

More books from Bloomsbury Publishing

Cover of the book EU Counter-Terrorism Law by Jeffrey T. Roesgen
Cover of the book Evelyn Waugh by Jeffrey T. Roesgen
Cover of the book The Flintlock Musket by Jeffrey T. Roesgen
Cover of the book Napoleonic Light Cavalry Tactics by Jeffrey T. Roesgen
Cover of the book The Greek and Persian Wars 499–386 BC by Jeffrey T. Roesgen
Cover of the book Shadow-Makers by Jeffrey T. Roesgen
Cover of the book The Queen's Embroiderer by Jeffrey T. Roesgen
Cover of the book U-47 in Scapa Flow by Jeffrey T. Roesgen
Cover of the book Saint George and the Dragon by Jeffrey T. Roesgen
Cover of the book The Green Light by Jeffrey T. Roesgen
Cover of the book Undeniable by Jeffrey T. Roesgen
Cover of the book Beyond Turkey's Borders by Jeffrey T. Roesgen
Cover of the book Dalhuisen on Transnational Comparative, Commercial, Financial and Trade Law Volume 2 by Jeffrey T. Roesgen
Cover of the book Dance Divas: On Pointe by Jeffrey T. Roesgen
Cover of the book Imperial German Colonial and Overseas Troops 1885–1918 by Jeffrey T. Roesgen
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy