The Sound of Innovation

Stanford and the Computer Music Revolution

Nonfiction, Reference & Language, Education & Teaching, History, Entertainment, Music, Computers
Cover of the book The Sound of Innovation by Andrew J. Nelson, The MIT Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Andrew J. Nelson ISBN: 9780262328821
Publisher: The MIT Press Publication: March 27, 2015
Imprint: The MIT Press Language: English
Author: Andrew J. Nelson
ISBN: 9780262328821
Publisher: The MIT Press
Publication: March 27, 2015
Imprint: The MIT Press
Language: English

How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music.

In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide.

Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation.

Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music.

In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide.

Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation.

Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.

More books from The MIT Press

Cover of the book Zen and the Brain: The James H. Austin Omnibus Edition (Meditating Selflessly, Zen-Brain Horizons, and Living Zen Remindfully) by Andrew J. Nelson
Cover of the book The Smart Enough City by Andrew J. Nelson
Cover of the book An Aesthesia of Networks by Andrew J. Nelson
Cover of the book Stuck in the Shallow End by Andrew J. Nelson
Cover of the book Cloud Computing for Machine Learning and Cognitive Applications by Andrew J. Nelson
Cover of the book Digital Signatures by Andrew J. Nelson
Cover of the book The Acceleration of Cultural Change by Andrew J. Nelson
Cover of the book Sacrifice Zones by Andrew J. Nelson
Cover of the book Ecstatic Worlds by Andrew J. Nelson
Cover of the book The The Social Construction of Technological Systems by Andrew J. Nelson
Cover of the book The Problem With Software by Andrew J. Nelson
Cover of the book Power Button by Andrew J. Nelson
Cover of the book Giving Voice by Andrew J. Nelson
Cover of the book Super Power, Spoony Bards, and Silverware by Andrew J. Nelson
Cover of the book The Puppet and the Dwarf by Andrew J. Nelson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy