The Uncanny House in Elizabeth Bowens Fiction
Fiction & Literature, Literary Theory & Criticism, British
| Author: | Olena Lytovka | ISBN: | 9783653953794 |
| Publisher: | Peter Lang | Publication: | February 26, 2016 |
| Imprint: | Peter Lang GmbH, Internationaler Verlag der Wissenschaften | Language: | English |
| Author: | Olena Lytovka |
| ISBN: | 9783653953794 |
| Publisher: | Peter Lang |
| Publication: | February 26, 2016 |
| Imprint: | Peter Lang GmbH, Internationaler Verlag der Wissenschaften |
| Language: | English |
The book focuses on the uncanny in the domestic space of Elizabeth Bowen’s fiction. Providing a psychoanalytic reading of selected works it aims to examine the image of the house in Bowen’s prose and to analyse its uncanniness in relation to the characters’ identity.
In her book, Olena Lytovka focuses on an important aspect of Elizabeth Bowen’s fiction – the motif of the uncanny house. By applying the Freudian notion of the unheimlich to the analysis of selected novels and short stories, Lytovka demonstrates how the traumatic experience of loss is mirrored in the characters’ perception of the domestic space as uncanny. The uncanny, she argues, is a reflection of the psychological condition of the perceiving mind in the state of crisis rather than the quality of the space. This insightful and well-researched study is a valuable contribution to Bowen criticism and will be relevant to literary scholars and students alike. (Anna Kędra-Kardela, Maria Curie-Skłodowska University in Lublin)
The book focuses on the uncanny in the domestic space of Elizabeth Bowen’s fiction. Providing a psychoanalytic reading of selected works it aims to examine the image of the house in Bowen’s prose and to analyse its uncanniness in relation to the characters’ identity.
In her book, Olena Lytovka focuses on an important aspect of Elizabeth Bowen’s fiction – the motif of the uncanny house. By applying the Freudian notion of the unheimlich to the analysis of selected novels and short stories, Lytovka demonstrates how the traumatic experience of loss is mirrored in the characters’ perception of the domestic space as uncanny. The uncanny, she argues, is a reflection of the psychological condition of the perceiving mind in the state of crisis rather than the quality of the space. This insightful and well-researched study is a valuable contribution to Bowen criticism and will be relevant to literary scholars and students alike. (Anna Kędra-Kardela, Maria Curie-Skłodowska University in Lublin)
