The Year’s Work in the Punk Bookshelf, Or, Lusty Scripts

Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture, Fiction & Literature, Literary Theory & Criticism
Cover of the book The Year’s Work in the Punk Bookshelf, Or, Lusty Scripts by Brian James Schill, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Brian James Schill ISBN: 9780253029447
Publisher: Indiana University Press Publication: September 25, 2017
Imprint: Indiana University Press Language: English
Author: Brian James Schill
ISBN: 9780253029447
Publisher: Indiana University Press
Publication: September 25, 2017
Imprint: Indiana University Press
Language: English

This is the story of the books punks read and why they read them. The Year’s Work in the Punk Bookshelf challenges the stereotype that punk rock is a bastion of violent, drug-addicted, uneducated drop outs. Brian James Schill explores how, for decades, punk and postpunk subculture has absorbed, debated, and reintroduced into popular culture, philosophy, classic literature, poetry, and avant-garde theatre. Connecting punk to not only Hegel, Nietzsche, and Freud, but Dostoevsky, Rimbaud, Henry Miller, Kafka, and Philip K. Dick, this work documents and interprets the subculture’s literary history. In detailing the punk bookshelf, Schill contends that punk’s literary and intellectual interests can be traced to the sense of shame (whether physical, socioeconomic, cultural, or sexual) its advocates feel in the face of a shameless market economy that not only preoccupied many of punks’ favorite writers but generated the entire punk polemic.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This is the story of the books punks read and why they read them. The Year’s Work in the Punk Bookshelf challenges the stereotype that punk rock is a bastion of violent, drug-addicted, uneducated drop outs. Brian James Schill explores how, for decades, punk and postpunk subculture has absorbed, debated, and reintroduced into popular culture, philosophy, classic literature, poetry, and avant-garde theatre. Connecting punk to not only Hegel, Nietzsche, and Freud, but Dostoevsky, Rimbaud, Henry Miller, Kafka, and Philip K. Dick, this work documents and interprets the subculture’s literary history. In detailing the punk bookshelf, Schill contends that punk’s literary and intellectual interests can be traced to the sense of shame (whether physical, socioeconomic, cultural, or sexual) its advocates feel in the face of a shameless market economy that not only preoccupied many of punks’ favorite writers but generated the entire punk polemic.

More books from Indiana University Press

Cover of the book Insiders and Outsiders in Russian Cinema by Brian James Schill
Cover of the book Beyond Bollywood and Broadway by Brian James Schill
Cover of the book A History of Britain by Brian James Schill
Cover of the book Globalization and the Challenges of a New Century by Brian James Schill
Cover of the book Medicine, Mobility, and Power in Global Africa by Brian James Schill
Cover of the book Swahili Port Cities by Brian James Schill
Cover of the book American Shame by Brian James Schill
Cover of the book Living in the Ottoman Realm by Brian James Schill
Cover of the book Mastering the Flute with William Bennett by Brian James Schill
Cover of the book Guide to the Pianist's Repertoire, Fourth Edition by Brian James Schill
Cover of the book Staging Ghana by Brian James Schill
Cover of the book Modernization as Spectacle in Africa by Brian James Schill
Cover of the book Migration and Mobility in the Modern Age by Brian James Schill
Cover of the book Harps and Harpists, Revised Edition by Brian James Schill
Cover of the book Indiana Across the Land by Brian James Schill
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy