The Yellow Kids

Foreign Correspondents in the Heyday of Yellow Journalism

Nonfiction, History, Americas, United States, 19th Century, Biography & Memoir, Literary, 20th Century
Cover of the book The Yellow Kids by Joyce Milton, Open Road Media
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Author: Joyce Milton ISBN: 9781497659193
Publisher: Open Road Media Publication: July 1, 2014
Imprint: Open Road Media Language: English
Author: Joyce Milton
ISBN: 9781497659193
Publisher: Open Road Media
Publication: July 1, 2014
Imprint: Open Road Media
Language: English

The amazing story behind the greatest newspapermen to ever live—Joseph Pulitzer and William Randolph Hearst—lies primarily hidden with their reporters who were in the field. They risked their lives in Cuba as the country grappled for independence simply to “get the story” and write what were not always the most accurate accounts, but were definitely the best—anything to sell papers. Reporters like Harry Scovel, Stephen Crane, Cora Taylor, Richard Harding Davis, and James Creelman, among others, put themselves in danger every day just for the news.

The Yellow Kids is an adventure story packed with engaging characters, witticisms, humor, and adversity, to reveal that the “yellow” found in journalism was often an extra ingredient applied by editors and publishers in New York.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The amazing story behind the greatest newspapermen to ever live—Joseph Pulitzer and William Randolph Hearst—lies primarily hidden with their reporters who were in the field. They risked their lives in Cuba as the country grappled for independence simply to “get the story” and write what were not always the most accurate accounts, but were definitely the best—anything to sell papers. Reporters like Harry Scovel, Stephen Crane, Cora Taylor, Richard Harding Davis, and James Creelman, among others, put themselves in danger every day just for the news.

The Yellow Kids is an adventure story packed with engaging characters, witticisms, humor, and adversity, to reveal that the “yellow” found in journalism was often an extra ingredient applied by editors and publishers in New York.

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