Theatre and Consciousness
Explanatory Scope and Future Potential
Nonfiction, Entertainment, Performing Arts, Theatre, History & Criticism
| Author: | Daniel Meyer-Dinkgrafe | ISBN: | 9781841509259 |
| Publisher: | Intellect Books Ltd | Publication: | May 1, 2005 |
| Imprint: | Intellect | Language: | English |
| Author: | Daniel Meyer-Dinkgrafe |
| ISBN: | 9781841509259 |
| Publisher: | Intellect Books Ltd |
| Publication: | May 1, 2005 |
| Imprint: | Intellect |
| Language: | English |
For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear witness to its importance. Over the same number of years, scholarly interest in the relationship of consciousness to theatre has equally grown. The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. ‘By placing theatre at the centre of human experience, a vital contributor to our mental, emotional and spiritual health rather than mere mindless entertainment, Daniel Meyer-Dinkgrafe does a vital service to the artform.', – Total Theatre Magazine,
For the last ten to fifteen years, many disciplines of scholarship have been involved in the study of consciousness, often on an interdisciplinary basis. They include philosophy, neurosciences, psychology, physics and biology, and approaches focusing on human experience. The Centre for Consciousness Studies at the University of Arizona in Tucson spearheaded this development with its bi-annual conferences since 1994, and a wide range of associations, journals and book publications bear witness to its importance. Over the same number of years, scholarly interest in the relationship of consciousness to theatre has equally grown. The book discusses a range of questions relevant to understanding the phenomenon of theatre against a consciousness studies background. ‘By placing theatre at the centre of human experience, a vital contributor to our mental, emotional and spiritual health rather than mere mindless entertainment, Daniel Meyer-Dinkgrafe does a vital service to the artform.', – Total Theatre Magazine,
