Trickster Figures in Louise Erdrich´s - Love Medicine -

Love Medicine -

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Trickster Figures in Louise Erdrich´s - Love Medicine - by Jennifer Künkler, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jennifer Künkler ISBN: 9783638123358
Publisher: GRIN Verlag Publication: April 26, 2002
Imprint: GRIN Verlag Language: English
Author: Jennifer Künkler
ISBN: 9783638123358
Publisher: GRIN Verlag
Publication: April 26, 2002
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2001 in the subject American Studies - Literature, grade: 1,0 (A), Johannes Gutenberg University Mainz (Institute for English Philology), course: Proseminar: Native American Literature, 16 entries in the bibliography, language: English, abstract: Louise Erdrich's novel Love Medicine reveals a lot about Chippewa(1) culture: it is a story of love and hate, of violence and peacefulness, of isolation and inclusion, interwoven with typical aspects of Chippewa cultural heritage and mythic elements. Within the space of her novel, she allows traditional Chippewa myths of transformation to meet, contradict and relativize each other.(2) One of the most important figures in Native American tradition is the so-called 'Trickster' and it is particularly this individual Erdrich makes use of in Love Medicine in order to form her protagonists. Reading the novel as a variation of traditional Chippewa Trickster Tales, this paper makes an attempt to describe and analyze the trickster-ego in some of Erdrich's characters. It will begin with a general description of the tricky Nanabozho in Chippewa oral tradition and then continue with connecting typical traits of the legendary trickster with persons in Erdrich's fiction. The major emphasis is placed on Gerry Nanapush, Lulu Lamartine and Lipsha Morrissey although several other characters do certainly show typical aspects of a trickster as well, such as June, Old Man Nanapush, Sister Leopolda, Marie, Moses etc. [...] _____ 1 There are three principal designations for the Chippewa: Anishinaabeg, Ojibwa and Chippewa. Vizenor reveals that Chippewa and Ojibwa are contemporary labels used by white Americans to designate these peoples, whereas they refer themselves as Anishinaabe: Gerald Vizenor, The People Named the Chippewa: Narrative Histories (Minneapolis: University of Minnesota Press, 1984) 13-14. For this study I have selected Chippewa because Erdrich prefers this variation. 2 cf. Joni Adamson Clarke, 'Why Bears Are Good to Think and Theory Doesn't Have to Be Murder: Transformation and Oral Tradition in Louise Erdrich's Tracks,' Studies in American Indian Literatures: The Journal of the Association for the Study of American Indian Literatures 4.1 (Spring 1992): 32.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2001 in the subject American Studies - Literature, grade: 1,0 (A), Johannes Gutenberg University Mainz (Institute for English Philology), course: Proseminar: Native American Literature, 16 entries in the bibliography, language: English, abstract: Louise Erdrich's novel Love Medicine reveals a lot about Chippewa(1) culture: it is a story of love and hate, of violence and peacefulness, of isolation and inclusion, interwoven with typical aspects of Chippewa cultural heritage and mythic elements. Within the space of her novel, she allows traditional Chippewa myths of transformation to meet, contradict and relativize each other.(2) One of the most important figures in Native American tradition is the so-called 'Trickster' and it is particularly this individual Erdrich makes use of in Love Medicine in order to form her protagonists. Reading the novel as a variation of traditional Chippewa Trickster Tales, this paper makes an attempt to describe and analyze the trickster-ego in some of Erdrich's characters. It will begin with a general description of the tricky Nanabozho in Chippewa oral tradition and then continue with connecting typical traits of the legendary trickster with persons in Erdrich's fiction. The major emphasis is placed on Gerry Nanapush, Lulu Lamartine and Lipsha Morrissey although several other characters do certainly show typical aspects of a trickster as well, such as June, Old Man Nanapush, Sister Leopolda, Marie, Moses etc. [...] _____ 1 There are three principal designations for the Chippewa: Anishinaabeg, Ojibwa and Chippewa. Vizenor reveals that Chippewa and Ojibwa are contemporary labels used by white Americans to designate these peoples, whereas they refer themselves as Anishinaabe: Gerald Vizenor, The People Named the Chippewa: Narrative Histories (Minneapolis: University of Minnesota Press, 1984) 13-14. For this study I have selected Chippewa because Erdrich prefers this variation. 2 cf. Joni Adamson Clarke, 'Why Bears Are Good to Think and Theory Doesn't Have to Be Murder: Transformation and Oral Tradition in Louise Erdrich's Tracks,' Studies in American Indian Literatures: The Journal of the Association for the Study of American Indian Literatures 4.1 (Spring 1992): 32.

More books from GRIN Verlag

Cover of the book Die Einführung von Real Estate Investment Trusts in Deutschland by Jennifer Künkler
Cover of the book Über ostasiatische Tuschmalerei und Kalligraphie by Jennifer Künkler
Cover of the book Reproduktive Kunst - revolutionär oder reaktionär? by Jennifer Künkler
Cover of the book Do Pharmaceutical Mergers Harm Drug Innovation? by Jennifer Künkler
Cover of the book Der Aufstieg des heiligen Mauritius zum Reichsheiligen der Ottonenzeit by Jennifer Künkler
Cover of the book Folgen der Nichtbeachtung des Deutschen Corporate Governance Kodex (DCGK) und der Vorschriften zur Entsprechens-Erklärung nach § 161 AktG by Jennifer Künkler
Cover of the book Klassische Grundlagen und Theorierichtungen der Sozialisation by Jennifer Künkler
Cover of the book Orientierungspraktikum im Gymnasium by Jennifer Künkler
Cover of the book Language and Ideology in the Media - Germany's Janus-Faced Weekly DER SPIEGEL by Jennifer Künkler
Cover of the book Die Problematik von Mehrheitsklauseln im Gesellschaftsrecht by Jennifer Künkler
Cover of the book Die Darstellung von Natur im Indianerbuch für Kinder by Jennifer Künkler
Cover of the book Soziokulturelle Aspekte der Kollektivierung der Landwirtschaft by Jennifer Künkler
Cover of the book Zu Harun Farockis 'Arbeiter verlassen die Fabrik' by Jennifer Künkler
Cover of the book Traum, Illusion und Realität der Ritterlichkeit in den ersten drei Kreuzzügen by Jennifer Künkler
Cover of the book Sind Teile des 'Gesetzes über den Westdeutschen Rundfunk' verfassungswidrig? Das 'WDR-Urteil' des Bundesverfassungsgerichtes von 1991 by Jennifer Künkler
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy