Do-rag vs. mohawk haircut - a comparison of punk and hip-hop culture

Nonfiction, Reference & Language, Study Aids, ESL, Foreign Languages
Cover of the book Do-rag vs. mohawk haircut - a comparison of punk and hip-hop culture by Christian Roßmeier, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Christian Roßmeier ISBN: 9783656160663
Publisher: GRIN Verlag Publication: March 27, 2012
Imprint: GRIN Verlag Language: English
Author: Christian Roßmeier
ISBN: 9783656160663
Publisher: GRIN Verlag
Publication: March 27, 2012
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Bayreuth (Sprach- und Literaturwissenschaften), course: 20th Century Britain, language: English, abstract: First of all, the terms Mohawk haircut and do-rag, according to the title, and their connections to the stated instances of youth cultures should be explained. A so called Mohawk haircut is a type of coiffure 'in which the head is shaved except for a band of hair down the middle of the scalp'1 (cf. picture 1) which is typically worn by members of the punk culture in different varieties. In contrast, the term do-rag belongs to a special kind of headdress, more precisely 'a scarf or kerchief worn as a head covering, often tied at the nape of the neck'2, commonly occurring in hip-hop culture (cf. picture 2). Incorrectly, people often expect do-rags to be worn only by African-Americans or hip-hoppers, but actually this headgear is usually used by other groups like motorcyclists, too. Nonetheless, do-rags developed gradually to a representative symbol of the hip-hop culture. Both words belong to youth cultures which are, for example, described by Gabriele Rohmann: 'Vorwiegend junge Leute sind Träger der jeweiligen Kultur. Den (...) Kern bilden die ca. 14 bis 24jährigen.'3 It is a compound word consisting of youth, i. e. 'the transition from childhood to adulthood and (...) a transition from a state of dependence to a state of independence and full maturity that enables people to fulfill the rights and obligations attached to adulthood status'4; and the second part culture which contains 'the beliefs, way of life, art, and customs that are shared and accepted by people in a particular society.'5 Similarly, another term related to youth culture is subculture which 'was initially developed by the US 1950s Chicago school of urban gang sociology'6. At first view, these two youth cultures distinguish very much which is one of the reasons why they are confronted here with each other. Moreover, we will have a closer look at the cultures' origins and developments as well as some of their typical characteristics. Additionally, questions like How do punks/hip-hoppers stereotypical look like? or What is the attitude of hip-hop/punk culture? will be tried to be replied and consequently both cultures will be analyzed and compared. [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,3, University of Bayreuth (Sprach- und Literaturwissenschaften), course: 20th Century Britain, language: English, abstract: First of all, the terms Mohawk haircut and do-rag, according to the title, and their connections to the stated instances of youth cultures should be explained. A so called Mohawk haircut is a type of coiffure 'in which the head is shaved except for a band of hair down the middle of the scalp'1 (cf. picture 1) which is typically worn by members of the punk culture in different varieties. In contrast, the term do-rag belongs to a special kind of headdress, more precisely 'a scarf or kerchief worn as a head covering, often tied at the nape of the neck'2, commonly occurring in hip-hop culture (cf. picture 2). Incorrectly, people often expect do-rags to be worn only by African-Americans or hip-hoppers, but actually this headgear is usually used by other groups like motorcyclists, too. Nonetheless, do-rags developed gradually to a representative symbol of the hip-hop culture. Both words belong to youth cultures which are, for example, described by Gabriele Rohmann: 'Vorwiegend junge Leute sind Träger der jeweiligen Kultur. Den (...) Kern bilden die ca. 14 bis 24jährigen.'3 It is a compound word consisting of youth, i. e. 'the transition from childhood to adulthood and (...) a transition from a state of dependence to a state of independence and full maturity that enables people to fulfill the rights and obligations attached to adulthood status'4; and the second part culture which contains 'the beliefs, way of life, art, and customs that are shared and accepted by people in a particular society.'5 Similarly, another term related to youth culture is subculture which 'was initially developed by the US 1950s Chicago school of urban gang sociology'6. At first view, these two youth cultures distinguish very much which is one of the reasons why they are confronted here with each other. Moreover, we will have a closer look at the cultures' origins and developments as well as some of their typical characteristics. Additionally, questions like How do punks/hip-hoppers stereotypical look like? or What is the attitude of hip-hop/punk culture? will be tried to be replied and consequently both cultures will be analyzed and compared. [...]

More books from GRIN Verlag

Cover of the book Die Entstehung der Finanzmarktkrise im Jahr 2007 by Christian Roßmeier
Cover of the book Ursprung und Problematiken der Geschlechtersozialisation by Christian Roßmeier
Cover of the book Von der Motivationstheorie zur Motivationspraxis by Christian Roßmeier
Cover of the book Der Schutz geographischer Herkunftsangaben by Christian Roßmeier
Cover of the book Personalbeschaffung am Beispiel der Fachhochschule Bochum by Christian Roßmeier
Cover of the book Ausführlicher Entwurf: Beschreibungen, Wertetabellen und Graphen begründet als Darstellungsformen der gleichen Zuordnung erkennen by Christian Roßmeier
Cover of the book Business Meetings and Leadership by Christian Roßmeier
Cover of the book Verschwörungstheoretische Elemente und die Darstellung von Verschwörung in Oliver Stone's Filmen by Christian Roßmeier
Cover of the book Die Wertansätze von Schulden im internationalen Vergleich by Christian Roßmeier
Cover of the book Fuzzy Spiking Neural Networks by Christian Roßmeier
Cover of the book Personaleinsatz in internationalen Unternehmen by Christian Roßmeier
Cover of the book Werbungen mit Tieren im österreichischen Fernsehen zwischen 19.00-20.00 Uhr by Christian Roßmeier
Cover of the book Förderung von Selbstbestimmung und Integration von Menschen mit geistiger Behinderung by Christian Roßmeier
Cover of the book Fragmente der Wandmalerei in der Karolingerzeit by Christian Roßmeier
Cover of the book Armutsbeseitigung durch Mikrokredite? by Christian Roßmeier
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy