Edith Wharton - 'The House of Mirth' as a Portrait of the City

'The House of Mirth' as a Portrait of the City

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Edith Wharton - 'The House of Mirth' as a Portrait of the City by Nicole Schindler, Julia Oesterreich, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nicole Schindler, Julia Oesterreich ISBN: 9783638619882
Publisher: GRIN Verlag Publication: February 27, 2007
Imprint: GRIN Verlag Language: English
Author: Nicole Schindler, Julia Oesterreich
ISBN: 9783638619882
Publisher: GRIN Verlag
Publication: February 27, 2007
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,0, University of Potsdam (Anglistik / Amerikanistik), course: HS: Zwischen 'White City' und 'Slum Fiction' - Die Großstadt in der amerikanischen Literatur am Ende des 19. Jahrhunderts, 39 entries in the bibliography, language: English, abstract: In this paper we will describe the ambivalent relationship between American novelist Edith Wharton and the American city. Wharton is concerned with the lives of a rather closed set of people, namely the so called 'old families' of New York. In Wharton's works, the world of the working poor is an invisible one. Although employees, servants, and maids were constantly present in and around the houses of the so called leisure class, they do not gain an independent voice, their struggle is being left untold. Wharton is interested in how the people she understood best, the families who inhabited society's highest valued spots, managed their situation. Edith Wharton's view of the architectural status quo and the newest developments in her city has to be called ambiguous. She relished the Beaux Art architecture of grandeur and at the same time she despised everything that screamed newly-rich to her. Anti-Semitism is a topic in this paper, because it became a component of New York's bourgeois identity as wealthy Jewish families were perceived to present a challenge to this high status group. Questions we were, amongst others, concerned with are: What effect had the modern city life on the best established class? How were the customs and modalities of these people affected by the tremendous developments around them? And how did (gendered) individuals react to the entrance wish of the newly rich into their inner circles? In other words, the way in which in- and exclusion from a certain group worked, how these were executed and what the potentiality of a change in status meant for the mind of the involved characters is Edith Wharton's central concern.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2005 in the subject American Studies - Literature, grade: 1,0, University of Potsdam (Anglistik / Amerikanistik), course: HS: Zwischen 'White City' und 'Slum Fiction' - Die Großstadt in der amerikanischen Literatur am Ende des 19. Jahrhunderts, 39 entries in the bibliography, language: English, abstract: In this paper we will describe the ambivalent relationship between American novelist Edith Wharton and the American city. Wharton is concerned with the lives of a rather closed set of people, namely the so called 'old families' of New York. In Wharton's works, the world of the working poor is an invisible one. Although employees, servants, and maids were constantly present in and around the houses of the so called leisure class, they do not gain an independent voice, their struggle is being left untold. Wharton is interested in how the people she understood best, the families who inhabited society's highest valued spots, managed their situation. Edith Wharton's view of the architectural status quo and the newest developments in her city has to be called ambiguous. She relished the Beaux Art architecture of grandeur and at the same time she despised everything that screamed newly-rich to her. Anti-Semitism is a topic in this paper, because it became a component of New York's bourgeois identity as wealthy Jewish families were perceived to present a challenge to this high status group. Questions we were, amongst others, concerned with are: What effect had the modern city life on the best established class? How were the customs and modalities of these people affected by the tremendous developments around them? And how did (gendered) individuals react to the entrance wish of the newly rich into their inner circles? In other words, the way in which in- and exclusion from a certain group worked, how these were executed and what the potentiality of a change in status meant for the mind of the involved characters is Edith Wharton's central concern.

More books from GRIN Verlag

Cover of the book Winnetou and the (Mescalero) Apaches by Nicole Schindler, Julia Oesterreich
Cover of the book Die Medici als Auftraggeber: Hugo van der Goes - Der 'Portinari-Altar' (ca. 1475-78) by Nicole Schindler, Julia Oesterreich
Cover of the book Irrationalismus in der nationalsozialistischen Erziehungsphilosophie by Nicole Schindler, Julia Oesterreich
Cover of the book Die Alpen - das 'Wasserschloss' Europas by Nicole Schindler, Julia Oesterreich
Cover of the book Sokrates Dilemma by Nicole Schindler, Julia Oesterreich
Cover of the book Die Gleichstellung der Frauen in der Türkei im Zusammenhang mit dem Europäischen Integrationsprozess by Nicole Schindler, Julia Oesterreich
Cover of the book Floorball. Schläger, Ball und Ich (Klasse 5/6) by Nicole Schindler, Julia Oesterreich
Cover of the book Produktdiffusion in internationalen Märkten by Nicole Schindler, Julia Oesterreich
Cover of the book Mit Learning Networks zu mehr Effizienz am Arbeitsplatz: Grundlagen und Kritik aus lerntheoretischer Perspektive by Nicole Schindler, Julia Oesterreich
Cover of the book Die Kunstphilosophie beim frühen und mittleren Schelling by Nicole Schindler, Julia Oesterreich
Cover of the book Programmierung der Klasse TaskInfo für die Darstellung betriebssystemspezifischer Informationen by Nicole Schindler, Julia Oesterreich
Cover of the book Adel und Wehrmacht by Nicole Schindler, Julia Oesterreich
Cover of the book Akzeptanz des Bachelor-Abschlusses im Bereich Controlling by Nicole Schindler, Julia Oesterreich
Cover of the book Time in 'Tristram Shandy' by Nicole Schindler, Julia Oesterreich
Cover of the book Unterrichtsstunde: Rollenverteiltes Lesen 'Wir lesen betont vor!' by Nicole Schindler, Julia Oesterreich
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy