Growing Up with the Impressionists

The Diary of Julie Manet

Nonfiction, Art & Architecture, General Art, Individual Artist, Biography & Memoir, Artists, Architects & Photographers
Cover of the book Growing Up with the Impressionists by Julie Manet, Bloomsbury Publishing
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Author: Julie Manet ISBN: 9781786721921
Publisher: Bloomsbury Publishing Publication: August 24, 2017
Imprint: I.B. Tauris Language: English
Author: Julie Manet
ISBN: 9781786721921
Publisher: Bloomsbury Publishing
Publication: August 24, 2017
Imprint: I.B. Tauris
Language: English

Julie Manet, the niece of Eugène Manet and the most famous female Impressionist artist, Berthe Morisot, was born in Paris on 14th November 1878 into a wealthy and cultured milieu at the height of the Impressionist era. Many young girls still confide their inner thoughts to diaries and it is hardly surprising that, with her mother giving all her encouragement, Julie would prove to be no exception to the rule. At the age of ten, Julie began writing her "memoirs†? but it wasn't until August 1893, at fourteen, that Julie began her diary in earnest: no neat leather-bound volume with lock and key but just untidy notes scribbled in old exercise books, often in pencil, the presentation as spontaneous as its contents. Her extraordinary diary – newly translated here by an expert of Impressionism, reveals a vivid depiction of a vital period in France's cultural history seen through the youthful and precocious eyes of the youngest member of what was surely the most prominent artistic families of the time.

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Julie Manet, the niece of Eugène Manet and the most famous female Impressionist artist, Berthe Morisot, was born in Paris on 14th November 1878 into a wealthy and cultured milieu at the height of the Impressionist era. Many young girls still confide their inner thoughts to diaries and it is hardly surprising that, with her mother giving all her encouragement, Julie would prove to be no exception to the rule. At the age of ten, Julie began writing her "memoirs†? but it wasn't until August 1893, at fourteen, that Julie began her diary in earnest: no neat leather-bound volume with lock and key but just untidy notes scribbled in old exercise books, often in pencil, the presentation as spontaneous as its contents. Her extraordinary diary – newly translated here by an expert of Impressionism, reveals a vivid depiction of a vital period in France's cultural history seen through the youthful and precocious eyes of the youngest member of what was surely the most prominent artistic families of the time.

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