Introduction to Kalophony, the Byzantine «Ars Nova»

The «Anagrammatismoi» and «Mathmata» of Byzantine Chant

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference, Reference & Language, Foreign Languages
Cover of the book Introduction to Kalophony, the Byzantine «Ars Nova» by Gregorios Th. Stathis, Konstantinos Terzopoulos, Peter Lang
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Gregorios Th. Stathis, Konstantinos Terzopoulos ISBN: 9783035399035
Publisher: Peter Lang Publication: November 6, 2014
Imprint: Peter Lang AG, Internationaler Verlag der Wissenschaften Language: English
Author: Gregorios Th. Stathis, Konstantinos Terzopoulos
ISBN: 9783035399035
Publisher: Peter Lang
Publication: November 6, 2014
Imprint: Peter Lang AG, Internationaler Verlag der Wissenschaften
Language: English

The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204–1261) during the long reign of Andronicus II (1282–1328) and reached its final form in the first half of the fourteenth century. During the years 1300–1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant.
Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The anagrams, or more generally, the mathēmata and morphologically related kalophonic forms of Byzantine melopoeïa, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204–1261) during the long reign of Andronicus II (1282–1328) and reached its final form in the first half of the fourteenth century. During the years 1300–1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kallōpismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant.
Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoiïas (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression.

More books from Peter Lang

Cover of the book Neologismen in der Science Fiction by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Von der freien zur integrierten Erwachsenenbildung by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Global News by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book The Eye and the Gaze by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Histoire, Forme et Sens en Littérature by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Die einstweilige Verfuegung im Arbeitskampf by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Public Financing of Public Service Broadcasting and its Qualification as State Aid by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Propaedeutik der Unterrichtsmethoden in der Waldorfpaedagogik by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Studies in Middle English by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Judaisms Promise, Meeting the Challenge of Modernity by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Tuerkisches und deutsches Vertragshaendlerrecht im Rechtsvergleich by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Images of India in British Fiction: Anglo-India vs. the Metropolis by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book The Wine Goblet of Ḥfeẓ by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Syndicats et dialogue social by Gregorios Th. Stathis, Konstantinos Terzopoulos
Cover of the book Psychologen im Konzentrationslager Methoden und Strategien des Ueberlebens by Gregorios Th. Stathis, Konstantinos Terzopoulos
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy