Monster

Distortion, Abstraction, and Originality in Contemporary American Poetry

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, Poetry
Cover of the book Monster by Mark Irwin, Peter Lang
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Author: Mark Irwin ISBN: 9781433140112
Publisher: Peter Lang Publication: June 6, 2017
Imprint: Peter Lang Inc., International Academic Publishers Language: English
Author: Mark Irwin
ISBN: 9781433140112
Publisher: Peter Lang
Publication: June 6, 2017
Imprint: Peter Lang Inc., International Academic Publishers
Language: English

Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Monster: Distortion, Abstraction, and Originality in Contemporary American Poetry argues that memorable and resonant poetry often distorts form, image, concept, and notions of truth and metaphor. Discussing how changes in electronic communication and artificial notions of landscape have impacted form and content in poetry, Monster redefines the idea of what is memorable and original through a broad range of poets including John Ashbery, Anne Carson, Thomas Sayers Ellis, Forrest Gander, Peter Gizzi, Jorie Graham, Robert Hass, Brenda Hillman, Laura Kasischke, W. S. Merwin, Srikanth Reddy, Donald Revell, Mary Ruefle, Arthur Sze, and James Tate.

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